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Octopus Project
2013
Manetas Miltos and Kisseleva Olga and Jodi and Gaulon Benjamin and Cheang Shu Lea and Closky Claude and Beloff Zoe. Octopus Project. Montpellier, France: Book In Progress, 2013.
Aesthetics of the Worst, the first simposium of the Centre Pompidou Metz
2011
Kisseleva Olga and Pelt Jean-Marie and Toma Yann and Vesna Victoria and Mangin Benoit and Laval-Jeantet Marion and Lageira Jacinto and Glissant Edourad and Clement Gilles. Aesthetics of the Worst, the first simposium of the Centre
source code poetry (2016, in Digicult, nov. 2018)
2018
aprile, francesco. source code poetry (2016, in Digicult, nov. 2018). Vol.novembre 2018. novembre, novembre 2018 th ed.Digicult.it: Digicult, 2018.
Canticle to the Sun IV
1996
32. Canticle to the Sun IV, 1996 20" by 15"" Pen plotted drawing. In 1966 the artist painted a large eight-foot by four-foot wooden panel as a "Canticle to the Sun". That work, celebrating the sun, incorporated text from the sun canticle
Skull v02
1994
Archival Digital Print, Sizes: 8”x10” and 13”x19” Epson Pigment inks on cotton rag substrate or Light Jet digital photo prints. (plus custom sizes or NFT by special order) Date created: 1994 The original version of this image, Skull v1 was first
Valeurs croisées, catalog of the 1st Rennes Contemporary Art Biennale
2009
Fourmentraux Jean-Paul and Mahé Emmanuel and Huitorel Jean-Marc and Pontbriand Chantal. Valeurs croisées, catalog of the 1st Rennes Contemporary Art Biennale. Dijon, France: Les presses du réel, 2009.
"UpStage, cyberformance et assistance intermédiale" - chapter inThéâtre et intermédialité sous la direction de Jean-Marc Larrue; ISBN-13 978-2-7574-0907-7;
2014
Jamieson, Helen Varley. "UpStage, cyberformance et assistance intermédiale" - chapter in Théâtre et intermédialité sous la direction de Jean-Marc Larrue; ISBN-13 978-2-7574-0907-7;. Ars du spectacle - Images et sons, Lille, France: Presses
ARTEC 95
1995
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1995
Three main categories emerged in ARTEC '95: 1. sculptures and environments emulating life or protolife; 2. portraits and interpretations derived from the world at large; and 3. performances and displays of invented image. The Biennale continued to
ARTEC 89
1989
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1989
The theme of the Biennale is 'the possibility for art and technology: high technology art as modern art, computers and artistic expression, high technology art as a means of expression, high technology art in urban environments'. It offered and
How to Use your Eyes
2008
Elkins, James. How to Use your Eyes. Colchester, UK: Taylor and Francis, 2008.
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