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Benayoun, M. and J. Bares. Urban Media Art Paradox: Critical Fusion vs. Urban Cosmetics What Urban Media Art Can Do (2016).

Schreiber, Susanne. Wo realer und virtueller Raum verschmelzen Handelsblatt (September 2016).

Dr. Turner, Ming. Visualizing post-human and cybersexuality: Lin Pey-Chwen and the Eve Clone Series East Asian Journal of Popular Culture 2, no. 2 (2016): 227-245.

Cheng-yu, Pan. The Gaze from the Apocalypse Art Accrediting, Kaohsiung Museum of Fine Arts , no. 67 (2016).

Berlot, Uršula. Neuroart, neuroaesthetics and the question of consciousness Journal for the Critique of Science, Imagination, and New Anthropology. Ljubljana: Inštitut Časopis za kritiko znanosti XLIV/265 (2016).

Berlot, Uršula. Minimal difference and modern mimesis Likovne besede/Art Words. Ljubljana: ZDSLU 103 (2016).

Breda Kolar Sluga and Peng Feng. The Earth is Flat – Zemlja je ploščata / Flat and Distant – Ploščato in oddaljeno UGM, Maribor, 3. 6. – 14. 8. 2016, Today Art Museum, Beijing, 10. 9. – 9. 10. 2016. Maribor: Umetnostna galerija (2016).

Perissinotto,Paula & Barreto,Ricardo, ed. FILE SÃO PAULO 2016: venha passar do limite. Vol.1000. 1 th ed.São Paulo: Sesi Editora, 2016.

Dr. Uwe Rüth. ENERGIE WECHSEL –an artist in residence project curated by Dr. Uwe Rüth at the IK Foundation Flushing.. Flushing (NL): IK Foundation, 2016.

Coupe, James. Art, Surveillance and Metadata In Worldmaking as Techné: Exploring Worlds of Participatory Art, Architecture, and Music, edited by M-D. HosaleRolling Meadows: 2016.