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Sonifications of Global Environmental Data 2016

Polli, Andrea. Sonifications of Global Environmental Data In Environmental Sound Artists: In Their Own Words, edited by Frederick Bianchi and V.J. Manzo, 3-8. Oxford: Oxford University Press, 2016.
Konrad Zuse: enabler of computational arts? 2016

Andrés Burbano and Esteban García Bravo. Konrad Zuse: enabler of computational arts? Archiving and Questioning Immateriality , no. 190 (2016).
Biomediality and Art 2016

Hauser, Jens. Biomediality and Art In Recomposing Art and Science: Artists-in-Labs, edited by Irene Hediger and Jill Scott, 201-219. Berlin: De Gruyter, 2016.
It’s Time for a Wetware Update 2016

Hauser, Jens. It’s Time for a Wetware Update In WETWARE: Art - Agency - Animation, edited by David Familian and Jens Hauser, 11-21. Irvine: Regents of the University of California, 2016.
Musik und Medien. Vom Klang im technischen Zeitalter 2016

Weibel, Peter. Musik und Medien. Vom Klang im technischen Zeitalter. Vol.2. Enzyklopädie der Medien, Berlin: Hatje Cantz, 2016.
Quarxs, 90s 2016

Benayoun, M.. Quarxs, 90s Animamix Biennale 2015-6 (2016).
Who and What are the Quarxs? 2016

Benayoun, M.. Who and What are the Quarxs? POST PIXEL.Animamix Biennale 2015-6 (2016).
Overscale Art in Public Space: from Play to Dysplay 2016

Benayoun, M.. Overscale Art in Public Space: from Play to Dysplay ISEA2016 (2016).
Memory Dump, the Disregarded Power of Undone Art 2016

Benayoun, M.. Memory Dump, the Disregarded Power of Undone Art ISEA2016 (2016).
Open Sky Gallery 2016

Benayoun, M.. Open Sky Gallery What Urban Media Art Can Do (2016).

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