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Soft Cinema: Navigating the Database
2005
Manovich, Lev. Soft Cinema: Navigating the Database. Cambridge, Mass.: MIT Press, 2005.
Digital Traces: Navigating Interactive Domains
1999
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1999
Event: Digital Traces: Navigating Interactive DomainsInstitution: Center for the Arts PittsburghComment:
Imaginary Museum of Revolutions
1987
An Imaginary Museum of Revolutions was a proposed multimedia installation to commemorate the 200th anniversary of the French Revolution. The basic concept was to address 200 revolutions from the French Revolution up to the present-day. The major
Thecla Schiphorst
Thecla Schiphorst is a computer media artist, theorist, educator, computer systems designer, choreographer, and dancer. She is a member of the design team that has developed Life Forms, the computer compositional tool for choreography, and has been
Datamining Bodies in Ruhr
2000
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2001
The project takes on two forms - the installation in an old mine in Dortmund: Zeche Zollern II/IV and the online version. The site-specific installation is experiential with sound taking on an important role. Spatialized sound is triggered by
Tangible Video Browser
2002
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2003
The Tangible Video Browser provides a tactile and efficient interface for viewing digital videos. Tokens act as both containers for a set of videos and controllers for selecting a video and navigating within the video. Placing a token on the
Navigating and Negotiating Sound Architectures of the Night
2016
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2016
On May 17, 2016, in EMPAC’s Goodman Studio, an evocative multi-media black box theatre work was presented that engaged the poetics of night. Ninety-two abstract architectural models interact on a luminous glass-surfaced interface-table to produce a
The online archive as a dynamic thinking space: from search to re-search
2025
Fleischmann, Monika and Wolfgang Strauss. The online archive as a dynamic thinking space: from search to re-search ARTNODES NR. 36: NODE «MEMORY MATTERS: NAVIGATING THE HISTORY OF MEDIA ART, SCIENCE AND TECHNOLOGY.
The Navigation Room
1997
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1997
video
Through their interactions in the exhibition, a personalised webpage is generated for each viewer.
The Bush Soul (#3)
1999
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1999
Third in a series of interactive art installations. A haptic, force-feedback joystick provides both navigation and tactile sensations, connecting one's physical body and virtual soul. Funded in part by Intel Research Council. (Rebecca Allen)
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