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Framing memory: return to the zone
2018
Parker, Kayla and Stuart Moore. Framing memory: return to the zone AVANCA | CINEMA 2018 (July 2018): 103-108.
Father-land
2018
Moore, Stuart and Kayla Parker. Father-land Layers of Visibility (October 2018): 79 to 90.
On Location: Kayla Parker
2017
Presentation of digital film as largescale projection with amplified stereo sound from DCP on continuous loop in the cinema, for seated audience; for Plymouth Arts Centre's exhibition programme of artist's moving image (premiere, 10 to 19 January
Cadence
2022
-
2023
Animated film poem created with a constellation of common wayside flowers, gathered during walks on land reclaimed from the sea along the shore of the Laira estuary, on the coast of SW Britain, an endangered habitat now threatened by coastal erosion
Flow and Cadence: Landscape Film-making in the Laira Estuary
2021
Parker and Kayla. Flow and Cadence: Landscape Film-making in the Laira Estuary BAFTSS Conference 2021 (April 2021).
Flow and Cadence: Landscape Film-making in the Laira Estuary
2021
Parker and Kayla. Flow and Cadence: Landscape Film-making in the Laira Estuary BAFTSS Conference 2021 (April 2021).
ARTEC 89
1989
-
1989
The theme of the Biennale is 'the possibility for art and technology: high technology art as modern art, computers and artistic expression, high technology art as a means of expression, high technology art in urban environments'. It offered and
Flow and Cadence: Landscape Film-making in the Laira Estuary
2021
Parker and Kayla. Flow and Cadence: Landscape Film-making in the Laira Estuary BAFTSS Conference 2021 (April 2021).
Flow and Cadence: Landscape Film-making in the Laira Estuary
2021
Parker and Kayla. Flow and Cadence: Landscape Film-making in the Laira Estuary BAFTSS Conference 2021 n/a, no. n/a (April 2021): n/a.
Flow and Cadence: Landscape Film-making in the Laira Estuary
2021
Parker and Kayla. Flow and Cadence: Landscape Film-making in the Laira Estuary BAFTSS Conference 2021 n/a, no. n/a (April 2021): n/a.
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