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  • Event: Immersion et fusion critiqueInstitution: Colloque, Immersion et performance, Nicéphore DaysComment:
  • Event: Recherche artistique et création technologiqueInstitution: table ronde, Nicéphore DaysComment:
  • John Tonkin is a Sydney based new media artist. After studying science and then playing with photography, experimental film and animation, he began making computer animation in 1985. Tonkin develops his own software in programming languages such as
  • Media art from 25 nations is what the 17th World Wide Video Festival will present from 15 September until 11 October this year in Amsterdam. On September 15, 16, 17, 18 and 19 many of the selected artists will be there in person and a number of them
  • The 5th International Conference on the Histories of Media Art, Science and Technology, Renew, will be hosted by RIXC and held in Riga, Latvia, October 8 – 11, 2013, coinciding with the international festival for new media culture Art+Communication.
  • Event: Transgenesis - Round Table with Christa Sommerer, Louis Bec, Jens Hauser, Louis-Marie Houdebine, Roger Malina, and Franco Torriani at the Artistic Mobility Days in Prague organized by CIANT, The Academy of Sciences of the Czech Republic,
  • "Every poem in the book Aromapoetry employs nanotechnology by binding an extremely thin layer of porous glass (200 nanometers thick) to every page, trapping the odorants (i.e. the volatile molecules) and releasing them very slowly. Without this
  • The Messive -
    Tapestry weaving on a base of binary code, gives an essential knowledge about our solar system, DNA, first 7 days of creation of Bible as a message for our descendants.
  • Land of Cloud -
    Winner of the VRHAM 2018 Audience Award Three days journey beyond Space and Time lies the Land of Cloud. The people there are silent. They communicate not through speech, gesture or gaze, but instead through strange and wondrous "cloud mirrors."
  • In the first year of the coronavirus pandemic it was thought that transmission was primarily through physical contact. We were hyperaware of the surfaces we touched and of the traces that may or may not be on those surfaces. Indeed, for those alone