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  • The installation ensemble, «The Edison Effect» connects the Ages of Mechanical, Electronic, and Digital Audio-Technologies. Different interactive systems probe the acoustic inscriptions of vinyl discs, and other objects, with the help of laser beams
  • Palo Alto -
    Palo Alto is Banz & Bowinkel’s second work dealing with the representation of a hypothetical virtual reality. Driven by the notion that the virtual world is not the sphere of simulated reality but rather its counterpart, the computer acts as an
  • Installation: 4 reliefs (CNC technology) and 4 photographs (digital print on acrylic support) dim: reliefs (each): 80 x 80 cm; photographs: 60 x 60 cm The crystal structures are microscopically analyzed using computer programs, which allow the
  • T-wo.gen
    The text from The World Generator / The Engine of Desire was printed out and put into a physical installation. The spoken text was presented in the space. The Illusive Nature of Context: The Negotiation of the Thoughtbody Bill Seaman The World
  • Snow Yunxue Fu is a US-based Chinese-born New Media Artist, Curator, and Assistant Arts Professor in the Department of Photography and Imaging at New York University Tisch School of the Arts. Using topographical computer-rendered images and
  • Fleischmann, Monika and Wolfgang Strauss. Illusions of Reality and Virtuality In Techno-Culture Matrix, , 84-85. Tokyo, Japan: ICC - NTT Tokyo, 1994.
  • Weibel, Peter. Techno-Transformation und terminale Identität In Telematik. Netz Moderne Navigatoren, edited by Jeannot Simmen, 9-15. Köln, DE: Verlag der Buchhandlung Walther König, 2002.
  • Einleitung
    Weibel, Peter. Einleitung In Kunst ohne Unikat: Multiple und Sampling als Medium: Techno-Transformationen der Kunst, edited by Peter Weibel, 9-10. Köln: Walther König Verlag, 1999.
  • Schutze, Bernard. La Tentation de la techno-mystique Inter Art Actual (Winter 1996): 25.
  • Weibel, Peter. Transformationen der Techno-Ästhetik In Digitaler Schein. Ästhetik der elektronischen Medien, edited by Florian Rötzer, 205-246. Frankfurt/Main: Suhrkamp Verlag, 1991.