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Anamorph Vonoroi
2020
Anamorph-Voronoi, i
s a
n image-generating software designed to produce aesthetically coherent compositions in 3D volumetric
spa
ce according to vi
sua
l rules tran
sla
ted into computer code. Inspired by the historian Jurgis Baltrusaitis’ study of
Blue Window Pane II
1998
-
2000
"Blue Window Pane i
s a
CAVE virtual reality art experience that includes networking, live video, and sound activated graphics. Participants explore and actively ignite events to gain a knowledge base through exploration and perceptual interaction.
Cell Ghosts
2004
-
2005
This work captures the viewer moving through
spa
ce with a live camera, with their image projected in particles that is stored in memory and appear later a
s a
ghost. The person passing by also activates text. The ambient sound
s a
re a composition of
Be prepared tiger
2005
-
2006
Re-engeneering and Re-enactment of a stealthboat as shown in a Tamil Tiger propaganda video footage. The Tamil Tiger video footage was found on internet sites of private analysts of clandestine weapon systems. The boat is patrolling river banks.
There is still time... Brother
2007
-
2007
There is still time… Brother is rooted in the recording of a Wooster Group performance developed specifically to be viewed a
s a
projection on a 360-degree screen. The video is revealed by way of a window that
sca
n
s a
round the screen, never showing
Photosynthetic Me
2020
-
2022
video
Photosynthetic Me i
s a
bioart, interactive and Immersive in
sta
llation that emerges from a process-based experiment around the topic of becoming plant-like. In the project, a biotechnologist activate
s a
photosynthetic system in a situation of altered
Inland Wonderland
2022
-
2023
Our universe obeys to the logic of four interactions - gravitational, electromagnetic, strong, weak - affecting it (not counting the Higgs field). Chaos on the other hand is only produced by human activity and our head
s a
re the omnipotent producers
Laura Dekker
Laura Dekker’s re
sea
rch-based art practice considers the reciprocal roles of technologies in how we experience, make sense of, cope with, and construct ourselve
s a
nd our world. She explores these ideas through interactive in
sta
llations, combining
Bicycle TV
BICYCLE TV i
s a
rider controlled real-time video tour of a scenic land
sca
pe in the Canadian countryside. This interactive in
sta
llation consists of a 1950's style bicycle with a colour monitor (mounted in front of the bicycle facing the
E
ssa
y concerning human under
sta
nding
1994
-
1994
Placed in the middle of the Center for Contemporary Art, the yellow canary was given a very large and comfortable cylindrical white cage, on top of which circuit-boards, a speaker, and a microphone were located. A clear Plexiglas disc separated the
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