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Jerusalem 10 - 16 June 2009 Overview of Jerusalem Archaeological Park during the Festival of Light The golden dome on the left is Al Aqsa mosque. The other sides of the park in view are bounded by the walls of the old city. Abstract Cosmology

Bifurcation, Shadow Object 2, 2012 Computer, kinect, projector, metal, motor, arduino processor, fumigated wood 175 x 122 cm Ed. 1/6 +1AP A small Y-shaped branch, similar to a divining rod, is suspended from a thread and moves with the air flow

"Reference Flow," 2009 1 or 5 Neon Exit Signs, motors, computerized surveillance tracking system, slip rings, custom software dimensions variable edition of 6, 1 AP "Reference Flow" is an interactive installation where a number of illuminated

"Flatsun," 2011 Custom-made LED screen, computerized surveillance tracking system, fluid dynamic algorithms (Navier Stokes, fractal flames, reaction diffusion and Perlin noise), aluminium, stainless steel, glass 55.12" / 140 cm diameter 6.3" / 6

A light source rotates around the visitors like a satellite, causing their shadows to rotate like a clock. The waxing and disappearing of the shadow distort their faces. Although it turns about 1440 times faster than the midnight sun at the North

The digital animation "Conquistadors" examines the tensions and conflicts that define the Russian territory in the age of privatization. The artist reflects on current modes of domination, both foreign and domestic, on the Russian territory, and

"Seismoscope 2: Abu Hamid Muhammad ibn Muhammad al-Ghazali", 2009 Persian (1058-1111), author of "The Incoherence of Philosophers" 16.1" x 17.7" x 6.7" / 41 x 45 x 17 cm, XY Plotter 45.2" x 16.1" x 17.7" / 115 x 41 x 45 cm podium 11" x 17" / 28

"Solar Equation," 2010 Aerostat, 5 HD projectors, 7 computers, custom software 14m / 48' balloon "Solar Equation" is a large-scale public art installation that consists of a faithful simulation of the Sun, 100 million times smaller than the real

For me, as an artist working with software CONSPIRE is first about encoding. As an ex-soviet, I perceive CONSPIRE in the same time like a dissident’s practice (an other way of encoding!) and like a monitoring following by manipulation – all kind of

Douce France is in situ project for Abbey de Maubuisson.The Abbey appears to Olga Kisseleva as a paradigm of this “Douce France” she had dreamed in Russia. But her work is ironical, it draws up an image of a globalized world, dominated by capital