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Making of Eve Clone I MR
2019
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2019
Making of Eve Clone Portraits IMR is a continuous series of the Making of Eve Clone I video, extending the digital images of da Vinci’s Vitruvian Man and Eve Clone into a real space. The viewer, is invited to put on an MR(Mixed Reality)helmet, will
Making of Eve Clone MR
2019
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2019
video
Making of Eve Clone Portraits IMR is a continuous series of the Making of Eve Clone I video, extending the digital images of da Vinci’s Vitruvian Man and Eve Clone into a real space. The viewer, is invited to put on an MR(Mixed Reality)helmet, will
Import/Export: Design Workflow and Contemporary Aesthetics
2006
Manovich, Lev. Import/Export: Design Workflow and Contemporary Aesthetics http://manovich.net/index.php/projects/import-export.
Clouding Green
2012
The world’s computing power is moving into the Cloud – but where does the Cloud get its energy? A commission for the 2012 Zero1 Biennial and Samek Art Gallery, the artworks for “Clouding Green” are massive augmented reality clouds in colors ranging
Making of Eve Clone Portrait IAR/ 1-6 / QCC Art Gallery CUNY / New York / 2019
2019
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2019
video
The six two-dimensional, digital print works Making of Eve Clone Portraits IAR, are extensions of Portrait of Eve Clone and Making of Eve Clone II. They convey that the facial proportions and poses of Eve Clone are similar to Leonardo da Vinci’s
Dadameter
2008
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2008
Global index of the decay of the aura of language, the Dadameter aims at measuring our distance to Dada. It was inspired by the work of the french writer Raymond Roussel. The project is a satire about the recent transmutation of language into a
Selfiecity: Exploring Photography and Self-Fashioning in Social Media
2015
Manovich, Lev and Alise Tifentale. Selfiecity: Exploring Photography and Self-Fashioning in Social Media http://manovich.net/index.php/projects/selfiecity-exploring.
The Lake
2005
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2005
A site-specific installation, and early data artwork using live real-time biological data. The Lake questions how data abstracts life and our environment, and how we use technology to connect with living things. Installed by the lakeside at Tingrith
Alexandra Dementieva: ‘All art is an interactive game. I am offering the viewer an opportunity to take an active part in the work’
2017
NATASHA KURCHANOVA. Alexandra Dementieva: ‘All art is an interactive game. I am offering the viewer an opportunity to take an active part in the work’
Telematic Connections: the virtual embrace 2002
2002
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2002
Telematic Connections: The Virtual Embrace is a traveling exhibition organized and circulated by Independent Curators International (ICI), New York, and curated by Steve Dietz. The exhibition, Web site and the accompanying CD-ROM are made possible,
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