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  • The world’s computing power is moving into the Cloud – but where does the Cloud get its energy? A commission for the 2012 Zero1 Biennial and Samek Art Gallery, the artworks for “Clouding Green” are massive augmented reality clouds in colors ranging
  • The six two-dimensional, digital print works Making of Eve Clone Portraits IAR, are extensions of Portrait of Eve Clone and Making of Eve Clone II. They convey that the facial proportions and poses of Eve Clone are similar to Leonardo da Vinci’s
  • Dadameter -
    Global index of the decay of the aura of language, the Dadameter aims at measuring our distance to Dada. It was inspired by the work of the french writer Raymond Roussel. The project is a satire about the recent transmutation of language into a
  • Telematic Connections: The Virtual Embrace is a traveling exhibition organized and circulated by Independent Curators International (ICI), New York, and curated by Steve Dietz. The exhibition, Web site and the accompanying CD-ROM are made possible,
  • Telematic Connections: The Virtual Embrace is a traveling exhibition organized and circulated by Independent Curators International (ICI), New York, and curated by Steve Dietz. The exhibition, Web site and the accompanying CD-ROM are made possible,
  • Telematic Connections: The Virtual Embrace is a traveling exhibition organized and circulated by Independent Curators International (ICI), New York, and curated by Steve Dietz. The exhibition, Web site and the accompanying CD-ROM are made possible,
  • Manovich, Lev and Alise Tifentale. Selfiecity: Exploring Photography and Self-Fashioning in Social Media http://manovich.net/index.php/projects/selfiecity-exploring.
  • Helena Ferreira (1982, Lisbon) is an artist, PhD student and FCT Research Fellow at the Faculty of Fine Arts of the University of Lisbon. Trained as an artist her work develops around practical and theoretical research on art installation, video,
  • Burgess, Marilyn. Support For New Media Arts In Canada: What Place For Artists? Site Street, online journal (Fall 2002).
  • NATASHA KURCHANOVA. Alexandra Dementieva: ‘All art is an interactive game. I am offering the viewer an opportunity to take an active part in the work’