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  • ...Madill, Shirley. The Photo-Based Work of Art in the Age of Digital Simulation Blackflash 15, no. 2 (1997): 12-20.
  • ...Madill, Shirley. The Photo-Based Work of Art in the Age of Digital Simulation Blackflash 15, no. 2 (1997): 12-20.
  • ... was seen walking up to the museum window and smashing it with a pickaxe. Or the Venetian blind over the window was closed, blacking out only the projected part of the room.
  • ...works using GFP (green fluorescent protein), proposing an “organism – mammal –ecology” where all creatures glow green under a blacklight. His interest was not to create“genetic objects”, but “transgenic social subjects” that can be integrated into our societyand...
  • Eduardo Kac, pioneer of multiple art genres like Telematic Art, Transgenic Art and Bio Art, guides us through 40 years of radical changes in the body-technology relationship, offering different approaches on how to reflect the boundaries of human
  • ...Lisa Cianci (A.K.A Blackaeonium) is an artist, archivist, and digital media developer from Melbourne, Australia. She makes art in both analogue and digital formats, with her current focus on real-time, code-driven animations, digital video, and installations that use...
  • Là bas... -
    ... this work. The first step into the unknown leads the audience out of the world - into the dark. Immersed in the heavy blackness of the first room in the installation, the spectator is deprived of any sense of orientation. Spatial proportions disappear...
  • ... Phoenix: How Computers are Changing Philosophy, edited by Terrell Ward Bynam and James H. Moor, 135-152. Oxford: Basil Blackwell, 1998.
  • ...Andres Burbano and Andres Jurado and Luis Blackaller and Ricardo Miranda Zuñiga and Sharon Daniel and Manuel Orellana Sandoval. CATÁLOGOS RAZONADOS IDARTES (2014).
  • ...Ricardo Miranda Zuñiga and Sharon Daniel and Luis Blackaller and Manuel Orellana Sandoval and Andres Jurado and Andres Burbano. Catálogos Razonados: Artes Medievales Convergencias y Tecnologías. Idartes (2014).