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  • Mirrors of the Unseen (MotU) #9 -
    Light object The work was conceived for the Printscreen Festival in Holon, Israel. Thinking the internet as a territory and as a field of action, the content of the work addresses matters of social movements, surveillance, algorithms, and
  • 15 Minutes of Biometric Fame -
    ... by diffusing everyday individuals with ambiguous tagging back into the system. Like Physiognomic Scrutinizer (2008 – 2009) and Mirror_Piece (2010 – 2011), 15 Minutes of Biometric Fame also incorporates face-recognition software employed in surveillance and...
  • Julius von Bismarck
    ... is the very property that makes space experiential, and therefore 'real'. Julius then might use optical elements such as mirrors and lenses, to add an-other dimension to these physical spaces. Drawing on techniques from visual arts, film, social and...
  • Sheldon Brown
    ... into the passive illumination of a nocturnal lighting system, articulated by the wind. Projects such as "Smoke and Mirrors" and "Mi Casa es tu Casa", use the contextual apparatus of museums with adjacent mission scopes to the artworld, for bringing...
  • Bonnie Mitchell
    ... systems, dynamics, and code. The installations often employ elements such as semi-transparent scrims, tree limbs, moss, mirrors, hundreds of fluorescent light bulbs and thousands of strands of yarn. Her experimental animations are often produced in...
  • Daniel Rozin
    ... the ability to change and respond to the presence of a viewer. Although computers are often used, they are seldom visible. Mirrors and the mediated perception of the self are central themes in his work. Rozin is the recipient of numerous awards, and his...
  • Purification -
    ... purification, transformation, fusion and breakthrough of the psychical structure. The reflective water surfaces work as mirrors that tend to break what we normally see in the world, while the images under the water and the join-in of participants brings...
  • The Future of Reality -
    ... and intelligent agents within these hybrid media systems, looking back at ourselves and our histories, gazing into uncertain mirrors, and looking ahead to increasingly seamless, incursive, responsive, and hyper-curated media landscapes, objects, personae,...
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