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  • February: 13th Japan Media Arts Festival Exhibition of Award-winning Works Dates: February 3–14, 2010 Venue: The National Art Center, Tokyo (Roppongi, Tokyo) Entries: 2,592 works (including 673 from overseas) Visitors: 63,348 people
  • February: 14th Japan Media Arts Festival Exhibition of Award-winning Works Dates: February 2–13, 2011 Venue: The National Art Center, Tokyo (Roppongi, Tokyo) Entries: 2,645 works (including 694 from overseas) Visitors: 70,126 people
  • February: 16th Japan Media Arts Festival Exhibition of Award-winning Works Dates: February 13–24, 2013 Venue: The National Art Center, Tokyo (Roppongi, Tokyo), etc. Entries: 3,503 works (including 1,502 from overseas)
  • Event: Jury Award - Japan Media Arts Festival 2013Institution: Japan Media Arts Festival Executive CommitteeComment:
  • 'Divination: A Romantic Mutiny in a Maelstrom of Data' by Nancy Mauro-Flude. Produced by Contemporary Art Tasmania. The maiden voyage performance of Pyrate Queen and her crew, set sail for the duration of Dark Mofo 10–19 June 2016. Toured in 2017
  • How are you? -
    “How are you?” is a question that seems so simple as it is understood in the West, since it is no more than an introduction to language or a sign of recognition. We do not really answer. In Russia, you do not ask the question unless you want a full
  • Doors -
    Two worlds that everything keeps apart are brought together on opposite sides of the same screen. In a narrow street in an Afghan village, men are drinking tea and reading texts. A door is in the centre, opening onto another door in the image on the
  • DOMINGUES, DIANA MARIA G and A. I. CACERES. Sobre las imágenes híbridas y los paisajes de datos: una conversación con Diana Domingues Arte por exelencias 16 (2012): 12-12.
  • William Kentridge -
    Though William Kentridge is one of the most compelling interdisciplinary artists of our time, five years ago he was largely unknown outside of Johannesburg, South Africa, where he was born in 1955 and continues to live today. There were many reasons