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  • ...I am a New Zealander based in Berlin. I've been active in the critical intersection of art and technology since 1998. My projects and the occassional paper have been presented at many museums, international electronic-art events and conferences, including the Tate...
  • ... fields of Digital Cultural Practices, Embodied Interaction and Interactive Art. His practice has included artistic practice, technical research, theoretical writing, pedagogy and institution building. Over the last twenty-five years, he has made interactive...
  • .. making visible that which is not before our eyes, that which is not directly evident nor exposed to the view ..
  • ... Acevedo’s visual music explores the implications of synesthesia through computer animated geometry.
  • ... native traditions, Domingues delves into the profound examination of trance states induced by the utilization of commonplace technologies.
  • George Legrady has exhibited across the world and is widely recognized as one of the early digital artists that researched the semiotic and cultural implications of software-produced images. His work encompasses a wide range of digital experiments
  • ... triangular prism. The camera observes images of its kind, while the kaleidoscopic effect inside the prism turns the technical equipment into floral ornaments. Users can interact and influence the flowerlike patterns which are projected through a...
  • Message from A. -
    ...In this personal work, a message received on my answering machine is visualised to be understandable. Due to technical issues (the sender called from an iPod without a microphone input) the message was transferred into keypad signals (2=ABD, 3=DEF,…). I received...
  • ... is a professor at the University of California, Los Angeles. He holds a masters degree from the Massachusetts Institute of Technology in Media Arts and Sciences as well as a bachelors degree from the School of Design, Architecture, Art, and Planning at the...
  • Abandoned
    ...Abandoned artist's studio featuring a technical apparatus in a process of transition in which analog turns into digital. Reflection on mise-en-scène of media, performance, installation and exhibition: recorded and constructed, present and absent, visible and invisible....