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  • ... and the roles we play are expressed in our use of language. One might assume that the aesthetics of artists who write their own... by focusing on and comparing the 'back end' of the code that drives the artwork's 'front end'—the result of the code, be it visuals...
  • ... 210 graphemes that don´t carry meaning by themselves. One grapheme is not an "A" or a "B" but anything that we want: Ex. 3GB... Delete the language between humans or between machines, hard drives, the memories, the alphabetic convention, textual noise, the...
  • ... In the first place, subsituing animal genes with human ones seems to contextualise an issue that aims to override its own... level, then the central mind, the informational context that drives this change, might be rediscussed. We tend to consider that...
  • ... the slightest movement of the head or of parts of the face drives them off. The portraits are thus in constant flux, they...
  • ... information and data systems, and the raw hardware that drives these technologies, draws on aesthetic, engineering and...
  • ...Seaman, Bill. Four Transcultural Case Studies: Transmedial Walks, Drives and Observations Technoetic Arts 10 (March 2013): 2-3.
  • ... are constituted by metadata might be brought to light, questioned, and, perhaps most pressingly, how they might be disrupted. ... and knowledge. It is at the heart of our age: it underpins, drives, and shapes information economies, societal networks, search...
  • Elke Reinhuber's work focuses on decision making processes and counterfactual thoughts in media arts. As a decidophobic in her own life, she explores alternative layers of the here and now with immersive environments and expanded photography.
  • ... artistic freedom better – butthrough limitations, one starts also to become more aware, critical and possibly even... with current technology). Digital files are stored on hard drives and theirclones and I even kept two old computers from the...