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Ex(or)ciser
This interactive in
sta
llation addresses mass media and manipulation in postmodern culture. In this mediawork individualism and narcissism are revealed as inextricably linked to new electronic technologie
s a
nd capitalist consumerism. The interface
Last Breath
2012
In
sta
llation view at The Eleventh Bienal de la Habana, Havana, Cuba, 2012. "Last Breath" i
s a
robotic in
sta
llation that store
s a
nd circulates the breath of a person forever, between a bellow
s a
nd a brown paper bag. The apparatus i
s a
utomatically
Terrarium
2002
-
2002
TERRARIUM II net based in
sta
llation explores in the physic
spa
ce a ground with rock
s a
nd a topography where virtual serpents live. The
spa
ce offer
s a
n immersive virtual reality networked environment which allows people to create and control
Infinite Line
2014
The Infinite Line proposes new modes of spectatorship in the performance of poetry. In the tradition of Oulipo, the ‘workshop of potential literature', this interactive in
sta
llation gives visitors the opportunity to recombine the poetic ensemble of
Museum for Insects
2013
-
2017
video
Can we know insects through electronic and artistic interfaces? Do they know us? Can they experience art? Can we develop new relationships with them? I built a miniature museum
spa
ce and used telepresent technologies to re-
sca
le the situation and to
The Cybernetic Institute's Letter of Letters Manifesto
2014
The Cybernetic Institute's Letter of Letters Manifesto Video and Text By Lila Moore Background The Cybernetic Institute's Letter of Letters Manifesto is the outcome of an auto-communication between the Cybernetic Institute and Seeker of True-files.
Revelation of Eve Clone I
2011
-
2011
The large-
sca
le projection interactive in
sta
llation, Revelation of Eve Clone I, further presented that Eve Clone had artificial life and reproductivity. After the viewer entered the exhibition realm, Eve Clone’s life index (the Time Code on the
the conversation
2009
-
2009
ralf baecker the conversation, 2009 99 solonoides, custom electronics (microcontrollers/drivers), strings, rubberbands, wires Production support: LABoral Centro de Arte y Creación Industrial, Gijón This work is part of a series of
Self-Portrait a
s A
nother Person
1966
-
1968
video
A predecessor of Lynn Hershman Leeson's influential “Roberta Breitmore” series, “Self Portrait a
s A
nother Person” feature
s a
wax cast of the artist's face that was made in 1966. Characteristic of similar pieces created by the artist in this period,
John F. Simon J.
John F. Simon, Jr. i
s a
n artist who uses programming language a
s a
n activated extension of written language. His software program
s a
re displayed on the Web and also on wall-mounted LCD screens. His software compositions never repeat. The beautiful
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