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Google Will Eat Itself (GWEI) - Hacking Monopolism Trilogy
2005
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2005
"In this project we wanted to buy Google via its own money. We generated revenues by serving Google text advertisements on a network of hidden websites clicked by bots. With this money we automatically bought Google shares. After this process we
SimTunes
1996
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1996
SimTunes is one of those wonderful programs that grows with the user. In essence, it is a paint program that doubles as a musical composition program--or vice versa. The user begins with a blank screen, or canvas and a variety of tools, paints, and
Scatole sonore. La poesia reclusa, Palinsesti 2012, 28.10. – 2.12. 2012
2012
Rubino, Giovanni (ed.). Scatole sonore. La poesia reclusa, Palinsesti 2012, 28.10. – 2.12. 2012 . San Vito al Tagliamento: Comune di San Vito al Tagliamento (2012).
Scatole sonore/Sound Boxes, Palinsesti 2012
2012
Event: Scatole sonore/Sound Boxes, Palinsesti 2012Institution: Palazzo AltanComment:
Le Scatole Ziventi
2012
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2012
Link to blog by Alan Shapiro featuring text by exhibition curator, Claudio Cravero.
Le scatole viventi / The Living Boxes
2012
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2012
Event: Le scatole viventi / The Living BoxesInstitution: Castello di RivoliComment:
Scatter
1993
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1993
"Scatter" documents dispersals of iris seeds, plants and pollen outside of Gessert's Garden.
Feeding Consciousness
2023
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2023
Feeding Consciousness takes inspiration from the fabled tower of Babel, when a united and ambitious people having attempted to reach for the stars, were confounded by God, their previously common language made incoherent, forcing them to scatter
Cosmic Matter
1990
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1990
Cosmic Matter brings forth Csuri s ability invoke Surrealism and Abstract Expressionism within the realm of technology. As Maurizio Calvesi eloquently described the dynamics of this piece, Cosmic Matter is an explosion of coloured splinters, in a
Passage Sets - One Pulls Pivots at the Tip of the Tongue
1995
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1995
video
Passage Sets / One Pulls Pivots at the Tip of the Tongue (1995) is an interactive installation that functions as an elaborate navigable audio/visual poem. Seaman worked with Chris Ziegler as the programmer for this work. Three projections comprise
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