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  • Amy M. Youngs creates biological art, interactive sculptures, and digital media works that explore interdependencies between technology, plants and animals. Her practice-based research involves entanglements with the non-human, constructing
  • Under the theme Seeking Silicon Valley, the 2012 ZERO1 Biennial will feature work by a diverse group of local, national, and international contemporary artists whose work will transform Silicon Valley into an epicenter for innovative art production
  • Data Murmur - video
    The notable Italian political philosopher Franco "Bifo" Berardi recites a random poem of HTML code twice. First on the left of the split screen the camera maintains its distance allowing the bard to enact the poem, his shock of silver hair melting
  • Research into the nontraditional materials of sculpture has accompanied my artistic career in the search for the relation between the work and the exhibition site understood as social sphere, architectural context or an urban space. A work of art
  • 2014 “Progressive Proof: SF State exhibit features women printmakers from PacificRim”, San Francisco State University Art Museum, San Francisco, USA
  • Christiane Paul is Associate Prof. at the School of Media Studies, The New School, and Adjunct Curator of New Media Arts at the Whitney Museum of American Art. She has written extensively on new media arts and lectured internationally on art and
  • Selphish. L'exposition de soi Mécènes du sud Montpellier-Sète, May 20th to August 22nd, 2020 Artists: Martin John Callanan, Alix Desaubliaux, Lauren Lee McCarthy Curators : Thierry Fournier and Pau Waelder Participants : Franck Ancel, Flora
  • Berardi, Franco. Out of joint. Then what? In The Noologist’s Handbook and Other Art Experiments, edited by Warren Neidich, 281-287. Berlin: Archive Books, 2013.
  • Berardi, Franco. Out of joint. Then what? In The Noologist’s Handbook and Other Art Experiments, edited by Warren Neidich, 281-287. Berlin: Archive Books, 2013.
  • Berardi, Franco. Out of joint. Then what? In The Noologist’s Handbook and Other Art Experiments, edited by Warren Neidich, 281-287. Berlin: Archive Books, 2013.