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  • Once Upon A Time...We Live Happily Ever After
    In 1977 Marga Adama, John Munsey and Jeffrey Shaw established Javaphile Productions. Other artists then joined the core members in the group’s various works. Its main activity was the creation of ritual performances that had a strong affinity with
  • cast01 // Living in Mixed Realities -
    Living in Mixed Realities What does it mean to live, play and work in a world shaped and perceived through digital media, networks and architectures of real and virtual space? How can the development of complex communication spaces, life
  • Paul Garrin
    Paul Garrin began working with video while studying fine arts at the Cooper Union School of Art in New York. His works over the past 20 years encompass a full spectrum of analog and digital media from video to the Internet, exploring media and the
  • FILE - Electronic Language International Festival
  • La Mer démontée
    Event: La Mer démontéeInstitution: Galerie 172Comment:
  • Open(ing) Source -
    To open the source code is one of the most significant processes in our contemporary technological landscape -the main reference is the free software culture or so called open source culture-. Opening the code means to share and to make something
  • Multimedia Demystified/ Demystifying Multimedia
    Shedroff, Nathan and Ken Fromm, ed. Multimedia Demystified/ Demystifying Multimedia. New York: Random House/ Newmedia Series, 1994.
  • BODYFRACTION
    video, 7.40’ The video Bodyfraction parallels microscopic images of fragments of the artist’s body (tooth enamel, skin, nails, hair etc.) with recordings of drawings and light-sensitive objects created on their basis. Drawings were digitally
  • transmediale.13: Back when Pluto was a planet
    The net jargon acronym BWPWAP – Back When Pluto Was a Planet is an expression used whenever one wants to talk about things in our recent past that have changed quickly. On August 24th, 2006, at the closing ceremony of their general assembly, the
  • Der Mensch als "zweiter Gott". Motive der Wiederkehr eines kunsttheoretischen Topos im Zeitalter der Bildsimulation
    Bredekamp, Horst. Der Mensch als "zweiter Gott". Motive der Wiederkehr eines kunsttheoretischen Topos im Zeitalter der Bildsimulation In Interface I: Elektronische Medien und Künstlerische Kreativität, edited by Klaus Peter Dencker, Hamburg. :
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