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Splice
2017
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2017
Working on the destruction of almost every elm forest in Southern Europe. The departure point for the project ELM was the history of these trees which have practically disappeared from the european landscape due to this disease. Such scarcity has
A scared conversation with Bob O´Kane
1995
Grassmuck, Volker. A scared conversation with Bob O´Kane InterCommunication 14 (1995).
s t i l l a l i v e
2022
video
The video work stillalive is a commission for the Kunsthaus Graz and the exhibition ‘Faking the Real’. The concept was to produce an artistic edit of a specific three-minute excerpt from John Carpenter’s film ‘They Live’. This approach corresponds
Acoustic Chase
This immersive audio environment explores how humans react to commands imposed by a machine generating its acoustic stimuli on the basis of tracked body movement. In this environment, different states of human and machine action are understood as a
Memory Dress
Well, things don't always turn out the way you plan - this project certainly didn't. I learned a couple of things: 1/ Magnetic core memory is very hard to find. 2/ Most people who are interested in magnetic core memory are very
Smart City ABC
2016
SMART CITY ABC aims to decode a territory that has produced a specialist vocabulary, in order to promote acessibility to the debate. The vision of the ‘Smart City’ was introduced by some of the largest tech corporations to address population growth,
Children's Tales?
2017
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2017
iMAL Center for Digital Cultures and Technology Children's Tales? exhibition. The exhibition includes Waliczky's "The Garden (21st Century Amateur Film)" and "The Fisherman and His Wife" computer animations. 18 / 07 / 2017 - 01 / 09 / 2017
Scarlet(t)
2011
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2012
This work uses a feature tracking algorithm to extract Scarlett Johanssen’s iconic lips from the costume drama “Girl with a Pearl Earring”. Extracting this one signifier, Scarlett’s mouth, wrenches the true subject of the movie – her lips, and their
Nature?
1999
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2000
"In “Nature?” I have created live butterflies where their wing patterns were modified for artistic purposes. Such changes were achieved by interfering with the normal development of the wing, inducing the development of a new pattern never seen
Without Visible Scars: Digital Wars and the Memory of War,”
2009
Aceti, Lanfranco. Without Visible Scars: Digital Wars and the Memory of War,” Leonardo 42, no. 1 (2009): 16-26.
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