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  • The Carousel video
    The Carousel, 2022 (Materials) | 8 Kodak Carousel S, Paper, Aluminium, Custom Made Electronics. Dimensions: 0.6m x 1.0m x 2.8m In a dance of light and shadow. Eight Kodak Carousel S projectors stand in a 2x4 grid, producing an analog generative
  • Cadence -
    Animated film poem created with a constellation of common wayside flowers, gathered during walks on land reclaimed from the sea along the shore of the Laira estuary, on the coast of SW Britain, an endangered habitat now threatened by coastal erosion
  • Pupil
    Pupil is an album dedicated to the non-human animals that accompany us in life, to the distance, to the learning of a language that is not one's own, that babbles. It is composed with different digital techniques that include but are not limited to
  • LEDA MELANITIS
    What is transgenic art? How does it influence the landscape of contemporary visual art culture? What is the relationship between art, science, and life? This book focuses on important artistic developments brought forward by the use of genetic
  • Grass - video
    The original programming language "GRASS" (GRAphics Symbiosis System) was developed by Thomas DeFanti for his Ph.D. dissertation at The Ohio State University in 1974. For further information, see Wayne Carlson, Historical Significance In 1969, the
  • IJWBAA
    IJWBAA [eej-wah] (I Just Wannabe an Artist), also known as Paul "Pao" Hafalla, is a pioneering digital artist born in Manila, Philippines, with deep roots in Pangasinan. His innovative work seamlessly blends digital media with a profoundly
  • I am a Sensor
    Seit den 90er Jahren haben sich zwischen den Künstler und sein Publikum jede Menge Apparate und Apparaturen geschoben. Kommunikation geschieht geplant, kontrolliert, reduziert, erweitert – kurz: posthuman. Dabei wird in Kauf genommen, dass jedes
  • Alle Revolutionen sind technische Revolutionen. Vilém Flusser im Gespräch mit Florian Rötzer
    Flusser, Vilém. Alle Revolutionen sind technische Revolutionen. Vilém Flusser im Gespräch mit Florian Rötzer Kunstforum International 97 97 (1988): 120-134.
  • Kunst, Körperbewusstsein und das Technische Weltbild
    Penny, Simon. Kunst, Körperbewusstsein und das Technische Weltbild In Ars Electronica 1996: Memesis. Die Zukunft der Evolution, edited by Gerfried Stocker and Christine Schöpf, Wien and New York. : Springer Verlag, 1996.
  • I̶n̛t͘e͟rf̕e̢ren̵ce -
    Interference – a network dropping out, white noise on screens – is seldom welcome. Yet without it, we might not encounter new perspectives or discover new stars. At Jodrell Bank Observatory, scientists regard interference as unhelpful noise or
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