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Processes: The Artist and the Machine. The audiovi
sua
l as register and memory in Media Art
2014
-
2014
On the exhibition could be seen for the first time in an open public display, the audiovi
sua
ls of the MIDE´s documentary archive, dialoguing with some of its most meaningful tangible artworks from its Electrographic Art Collection. Few audiovi
sua
ls
"Touch me"
1995
The work "Touch me" of Alba D'Urbano from 1995 i
s a
n interactive digital video in
sta
llation where a monitor with touch screen, a video camera and a computer are mounted on a platform. The monitor with the touch screen is visible for the visitor
s a
t
Balance-Unbalance 2017: A Sense of Place / COMESTIBLE: Seven-Day Meal Plan
2017
-
2017
The daily meal i
s a
powerful human institution and the family dinner table a site where food and home meld into an ‘intimate place’ of nurture. But, in times when climate change jeopardizes food security the question of ‘what will we eat in the
Robert W. Sweeny
Robert W. Sweeny, PhD, is Professor of Art Education at Indiana University of Pennsylvania. He completed his doctoral work at Pennsylvania
Sta
te University and his dissertation was titled ‘Net_Work_Ed: Simulated Bodie
s a
nd Objects Intertwined in
Conversations @ the Studio
2005
video
Conversations@the Studio present
s a
natural navigation of a real-world situation—a contemporary glass craft
sma
n’s studio. By displaying a 360-degree global video recording, made on location at the glass blowing studio, it provides the tele-present
Human Genome re-Activation
2011
-
2011
video
keywords: bioart, genome, finger, soundart, genetics, synthetic voice, DNA – Sequence alignment, chromosome 1, DNA, Nucleotides, adenine (A), cytosine (C), guanine (G), thymine (T), DNA-Bases Description: Human Genome re-Activation on-line live
Greenhouse
2017
-
2017
Greenhouse i
s a
generative data vi
sua
lization in
sta
llation. The work is inspired by the problems of Taiwan and is based on the survey and analysis of big data. We gather and compile the big data from over seven hundred thousand fan pages on social
Wasserzaun
1990
-
1991
Sensor-controlled interactive water in
sta
llation, customs clearance caravan tunnel Austrian–Slovenian border crossing, competition 1990, realization 1991 "The speed of the sinusoidal wave motion depends on the traffic density and the speed of the
Lawrence Mal
sta
f
The work of Lawrence Mal
sta
f can be situated on the borderline between the vi
sua
l and the theatrical. After having studied industrial design, Lawrence Mal
sta
f
sta
rts of in theatre. He designs scenographies for choreographer
s a
nd director
s a
s Benoît
Black Airground
1968
-
1968
A row of three large parachutes were fixed around their perimeter to the floor and continuously inflated with air. A light bulb above each parachute was the only illumination in the in
sta
llation, and they were individually activated by the pitch and
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