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PHSColograms and Rotated PHSColograms
1995
Sandor, Ellen and Janine Fron and Stephan Meyers. PHSColograms and Rotated PHSColograms Computers & Graphics 19, no. 4 (July/August 1995): 513-522.
PHSColograms and Rotated PHSColograms
1995
Sandor, Ellen and Janine Fron and Stephan Meyers. PHSColograms and Rotated PHSColograms Computers & Graphics 19, no. 4 (July/August 1995): 513-522.
PHSColograms and Rotated PHSColograms
1995
Sandor, Ellen and Janine Fron and Stephan Meyers. PHSColograms and Rotated PHSColograms Computers & Graphics 19, no. 4 (July/August 1995): 513-522.
PHSColograms and Rotated PHSColograms
1995
Sandor, Ellen and Janine Fron and Stephan Meyers. PHSColograms and Rotated PHSColograms Computers & Graphics 19, no. 4 (July/August 1995): 513-522.
PHSColograms and Rotated PHSColograms
1995
Sandor, Ellen and Janine Fron and Stephan Meyers. PHSColograms and Rotated PHSColograms Computers & Graphics 19, no. 4 (July/August 1995): 513-522.
PHSColograms and Rotated PHSColograms
1995
Sandor, Ellen and Janine Fron and Stephan Meyers. PHSColograms and Rotated PHSColograms Computers & Graphics 19, no. 4 (July/August 1995): 513-522.
From Media to Metaphor: Art about AIDS
1992
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1994
From Media to Metaphor: Art about AIDS was a traveling exhibition. It was shown at: January 20-March 15, 1992 Emerson Gallery, Hamilton College, New York June 19-August 1, 1992 Center on Contemporary Art, Seattle, Washington September 8-October 6,
A Midsummer Night's Dream
2000
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2000
This high-tech treatment of Shakespeare's masterpiece played June 29 - July 1, 2000 in the Lumley Studio Theatre at the University of Kent at Canterbury. The Y2K production of A Midsummer Night's Dream marks a collaboration between
Galapagos
1997
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1997
Galápagos is an interactive Darwinian evolution of virtual "organisms." Twelve computers simulate the growth and behaviors of a population of abstract animated forms and display them on twelve screens arranged in an arc. The viewers participate in
Genetic Images
1993
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1993
Genetic Images is a media installation in which visitors can interactively "evolve" abstract still images. A supercomputer generates and displays 16 images on an arc of screens. Visitors stand on sensors in front of the most aesthetically pleasing
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