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The Virtual Balance: An Input Device for Virtual Reality Environments 1997

Fleischmann, Monika et. al.. The Virtual Balance: An Input Device for Virtual Reality Environments In Proceedings of the 6th Interfaces, Man-machine interaction, La Lettre de I´IA Nr. 123, , 20-23. Montpellier: 1997.
The Village and the Revolution 2017

Event: The Village and the RevolutionInstitution: Krasnoyarsk Museum BiennaleComment:
THE VIEW Jubiläumsausstellung 2019 - 2019

Event: THE VIEW JubiläumsausstellungInstitution: THE VIEW Contemporary Art SpaceComment:
THE VIEW Contemporary Art Collection 2015 - 2015

Event: THE VIEW Contemporary Art CollectionInstitution: THE VIEW Contemporary Art SpaceComment:
The Value of Experience in Urban Media Art Education: A Full Size Case Study 2016

Event: The Value of Experience in Urban Media Art Education: A Full Size Case StudyInstitution: CATE Roundtable 2016: An Inter-tertiary Symposium on Creative Arts Education in Hong KongComment:
The value of experience in Media Art Education, Open Sky Campus, Border Diggers, 2 case studies 2018

Event: The value of experience in Media Art Education, Open Sky Campus, Border Diggers, 2 case studiesInstitution: Cornell University, Peking University, City University of Hong KongComment:
The Value of Art 2010 - 2010 video

The Value of Art are interactive paintings dealing with the economy of attention and value creation in the art world. When we look at prices of artworks at auctions, they often seem incomprehensible. Competing art collectors betting against each...
The Value of Art 2013 - 2013

Event: The Value of ArtInstitution: Nieuw DakotaComment:
The Value of Art 2013 - 2013

2013 The Brick Lane Gallery (28. Februar bis 11. März 2013 ) Annex 93-95 Sclater St. E16HR, London, England
The Valuation of Emerging Media Arts in the Age of Digital Reproduction 2010

Burns, David R.. The Valuation of Emerging Media Arts in the Age of Digital Reproduction In Electronic Visualisation and the Arts (EVA), London, UK: Electronic Visualisation and the Arts (EVA) London, 2010.

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