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  • This installation entitled There's no simulation like home is the culmination of artistic telematic research since 1992. The exterior of the installation resembles the back of a plasterboard stage set, or as if the bricks of a house had been
  • video, 4.22' The video Hyperoptics examines the technologically extended forms of visual perception that are enabled through the application of advanced optical research tools used in microscopy. The first part of the video presents a series of
  • Trends are all the trend. Alongside fashion and health it is analyses of economic trends and flows of finance and commodities which are shaping our environment. To what extent do they influence and change us as individuals and as a society? By
  • LUCENA, Tiago and ANA PAULA MACHADO VELHO and V. D DORNE and Diana Maria Gallicchio DOMINGUES. The dramaof dengue fever: civic oriented journaists and artists fightig dengue Leonardo Electronic Almanac 51 (2018): 199-200.
  • VELHO, A. P. M and Diana Domingues and S. C VERMELHO and Lucena,Tiago. Saúde, Tecnologia e Ambiente: um relato de mobilização contra a dengue Ambiente & Sociedade 18 (2015): 10-20.
  • Jay, Martin. Downcast Eyes: The Denigration of Vision in Twentieth-Century French Thought. Berkeley, CA: University of California Press, 1994.
  • STANDARDS AND DOUBLE STANDARDS is an interactive installation that consists of fifty fastened belts that are suspended at waist height from servo motors on the ceiling of the exhibition room. Controlled by a computerized tracking system, the belts
  • The urban installation is based on the measuring of infrastructural ( passengers, cars…) and communicational ( electromagnetic fields produced by mobile phones, radio…) flows and their transposition into luminous, sonic and kinetic actions. It
  • Artifices 3 -
    Event: Artifices 3Institution: Universitè Paris VIII / Vincennes Saint-DenisComment:
  • Artifices 4 -
    Event: Artifices 4Institution: Universitè Paris VIII / Vincennes Saint-DenisComment: