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Wenn das Interface im Virtuallen verschwindet
1991
Fisher, Scott S.. Wenn das Interface im Virtuallen verschwindet In Cyberspace, edited by Manfred WaffenderHamburg: Rowohlt, 1991.
Archäologie der Medien: Zur Tiefenzeit des technischen Hörens und Sehens
2002
Zielinski, Siegfried. Archäologie der Medien: Zur Tiefenzeit des technischen Hörens und Sehens. Reinbek, DE: Rowohlt Taschenbuch Verlag, 2002.
Expansion der Kunst
1970
Claus, Jürgen. Expansion der Kunst. Hamburg: Rowohlt, 1970.
Audiovisionen: Kino und Fernsehen als Zwischenspiele
1989
Zielinski, Siegfried. Audiovisionen: Kino und Fernsehen als Zwischenspiele. Reinbek, DE: Rowohlts Enzyklopädie, 1989.
''Performing Data - Monika Fleischmann & Wolfgang Strauss
2011
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2011
Catalogue > https://www.researchgate.net/publication/281459804_Performing_Data_-_Monika_Fleischmann_Wolfgang_Strauss Video >
World-Wide Video Festival
1982
Temos uma Questão!
2015
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2015
In preparation for hosting the 2016 Olympic Games, Brazilian officials promised to clean up Guanabara Bay, where sailing, rowing and windsurfing competitions will be held. The water is heavily polluted, with nearly 70% of Rio de Janeiro’s untreated
Fruit Machine
1991
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1991
video
In this installation, an interactive format similar to FOURSPACE (1991) has been developed in a different aesthetic direction. The game as a primary modality of interactivity is chosen as the functional context for a strategy of communication
Emergences of Continuous Forms
1966
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1966
Emergences of Continuous Forms was one of a series of performances and installations in this period which explored various methods of extending the cinematic image into the space of the viewers and of provoking the viewer's physical
Tape Recorders MCA Sidney
2009
Motorised measuring tapes, kinect tracking systems, computers, cameras, thermal printer, custom-made hardware and software dimensions variable Rows of motorised measuring tapes record the amount of time that visitors stay in the installation. As a
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