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Crystalline Media - Algorithmic Aesthetics in Late Modernity
2015
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2015
Event: Crystalline Media - Algorithmic Aesthetics in Late ModernityInstitution: King´s College LondonComment:
Dust
2009
In his new work, Dust, DeMarinis explores facial similarities, pairs of faces, and the abstraction of images into the dust. DeMarinis presents a fragment of this collection of likeness-pairs, scanned sequentially into the light-memory of
Craig W. Reynolds
Is a researcher in software design and development simulating natural realms. He works in the fields of behaviour, natural phenomena and digital modelling. His actually Senior Researcher at US R&D group of Sony Computer Entertainment and past
Brian Reffin Smith
Working with computer based arts since the late 1960s. There should be humour and politics, at least sometimes, in art. Especially the humour and politics of digital art. I think art should be a more or less systematic enquiry whose goal is
No soul for sale, curated by Cecilia Alemani, Massimiliano Gioni and Maurizio Cattelan
2010
No Soul for Sale: A Festival of Independents Z.A.K For No Soul For Sale 2010 Friday 14 May 2010, 10.00–00.00 Saturday 15 May 2010, 10.00–00.00 Sunday 16 May 2010, 10.00–18.00 To celebrate Tate Modern's 10th anniversary, the gallery will host
Latent State
2009
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2010
video
This project was developed during 2009 as part of my MFA thesis at the Design Media Arts department at UCLA. It consisted in the creation of a live cinema piece using a number of resources for real-time AV performance and a combination of digital
Terrapattern
2016
Terrapattern is a tool for exploring the unmapped and the unmappable: a system for finding ?"more like this, please" in satellite photos. It can also be described as "a visual search engine for satellite imagery", "similar-image search for satellite
Me as MacGhillie
2010
Meyer, Eva. Me as MacGhillie In Opaque Presence. Manual of Latent Invisibilities, edited by Andreas Broeckmann and Knowbotic ResearchBerlin, Zürich: Diaphenes Verlag, 2010.
Survey of Prints
2007
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2008
In 2003 the Museum purchased Atlas Procession I, a print by William Kentridge, the first work by this internationally renowned South African artist in the SCMA collection. This fall, Kentridge is the subject of a major exhibition at SCMA, William
Ocular Revision & Latent Figure Protocol
2011
Event: Ocular Revision & Latent Figure ProtocolInstitution: Kapelica GalleryComment:
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