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  • Iron Bird, In the Name of Kernel series -
    Fragments from The Impossible Flying Machine by ERASE C41: "My first sighting happened in 1967, on a trip from (A) to (B). It was a night flight and we had leveled off at our assigned altitude and were approximately 40 Km north of (A). We suddenly
  • 6.26.27.86 v01 -
    Archival Digital Print, Sizes: 8”x10” and 13”x19” Epson Pigment inks on cotton rag substrate or Light Jet digital photo prints. (plus custom sizes or NFT by special order) Date created: 1991 6.26-27.86 is named after the approximate date that
  • (collective) Monika Fleischmann | Wolfgang Strauss
    Ryszard W. Kluszczyński, 2011: "Monika Fleischmann and Wolfgang Strauss undertook their joint, creative actions in combined fields of art and science in late 1980s. (...) We can say that the art of Fleischmann and Strauss has developed in parallel
  • New Media in Late 20th-century Art (World of Art)
    Rush, Michael. New Media in Late 20th-century Art (World of Art). London, UK: Thames and Hudson, 2003.
  • Lila Moore
    Lila Moore is a pioneering artist, filmmaker, screen choreographer, networked performance and mixed reality creator. She holds a practice-based PhD in Dance on Screen from Middlesex University (2001, UK) in the context of modern and contemporary
  • Crystalline Media - Algorithmic Aesthetics in Late Modernity -
    Event: Crystalline Media - Algorithmic Aesthetics in Late ModernityInstitution: King´s College LondonComment:
  • Dust
    In his new work, Dust, DeMarinis explores facial similarities, pairs of faces, and the abstraction of images into the dust. DeMarinis presents a fragment of this collection of likeness-pairs, scanned sequentially into the light-memory of
  • Craig W. Reynolds
    Is a researcher in software design and development simulating natural realms. He works in the fields of behaviour, natural phenomena and digital modelling. His actually Senior Researcher at US R&D group of Sony Computer Entertainment and past
  • Brian Reffin Smith
    Working with computer based arts since the late 1960s. There should be humour and politics, at least sometimes, in art. Especially the humour and politics of digital art. I think art should be a more or less systematic enquiry whose goal is
  • No soul for sale, curated by Cecilia Alemani, Massimiliano Gioni and Maurizio Cattelan
    No Soul for Sale: A Festival of Independents Z.A.K For No Soul For Sale 2010 Friday 14 May 2010, 10.00–00.00 Saturday 15 May 2010, 10.00–00.00 Sunday 16 May 2010, 10.00–18.00 To celebrate Tate Modern's 10th anniversary, the gallery will host
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