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Computer Identity 2003 - 2012

Computer Identity was an interactive digital internet-based artwork that was created by Beatriz Albuquerque in 2003-2005 (http://computeridentity.no.sapo.pt/). It was 1st presented to audiences in 2005 at BaseSpace, Chicago, The School of the
The Blessed Abyss - A Tale of Unmanageable Ecstasies 1992 - 1992

Debuted at the Whitney Museum at Phillip Morris, 1992, as part of a series co-curated by Toni Dove with Helen Thorington of New American Radio and Jeanette Vuocolo of the Whitney Phillip Morris Performance series. Entitled "Performing Bodies and
SIAF 2020 Sapporo International Art Festival: Of Roots and Clouds (online) 2020

SIAF2020 Team of Directors, Taro Amano, Agnieszka Kubicka-Dziedszycka, and Kanoko Tamura
Sara Malinarich

Artist: Sara MalinarichComment:
Psychotisierung der Wahrnehmung, Gespräch mit Sara Rogenhofer, Florian Rötzer 1989

Weibel, Peter. Psychotisierung der Wahrnehmung, Gespräch mit Sara Rogenhofer, Florian Rötzer Kunstforum 98 (1989): 75.
Four Nights in the Funhouse 2001

Borins, Sara. Four Nights in the Funhouse Saturday Night 116, no. 6 (July 2001): 21-28.
Rethinking Curating. Art After New Media 2010

Graham, Beryl and Sara Cook. Rethinking Curating. Art After New Media. Leonardo Book, Cambridge, MASS: The MIT Press, 2010.
EUPHORIA AND DYSTOPIA: THE BANFF NEW MEDIA INSTITUTE DIALOGUES 2012

Cook, Sarah and Sara Diamond, ed. EUPHORIA AND DYSTOPIA: THE BANFF NEW MEDIA INSTITUTE DIALOGUES. Banff: Riverside Architectural Press, 2012.
Taking Ontario Mobile 2012

Diamond Sara. Taking Ontario Mobile. Toronto, Ontario Canada: OCAD University, 2012.
Euphoria & Dystopia(The BANFF New Media Institute Dialogues) 2011

Diamond Sara. Euphoria & Dystopia (The BANFF New Media Institute Dialogues). Canada: BANFF Centre Press, 2011.

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