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Ascott, Roy. Art, Technology Consciousness: Mind@Large. Bristol, UK: Intellect Books, 2000.

Sommerer, Christa and Laurent Mignonneau. Phototropy II In The Interaction ’97, edited by Itsuo Sakane, 48-51. Gifu: IAMAS Academy and Softopia, 1997.

Ascott, Roy. The Architecture of Cyberception In Architects in Cyberspace, edited by M. Toy, 38-41. London: Academy Editions, 1995.

Sommerer, Christa and Laurent Mignonneau. The Application of Artificial Life to Interactive Computer InstaIlations In AROB’97 International Symposium on Artificial Life and Robotics, Conference Proceedings, , 11-15. Oita: Oita University, 1997.

Shaw, Jeffrey. Virtuelle Räume im Reich der Sinne In Kultur und Technik im 21. Jahrhundert, edited by Gert Kaiser and Dirk Matejovski and Jutta Fedrowitz, 329-334. Frankfurt, New York: Campus Verlag GmBH, 1993.

Ranzenbacher, Heimo. Strategies of Intertainment In Ars Electronica 2001: TAKEOVER - Who´s Doing the Art of Tomorrow? / Wer macht die Kunst von morgen?, edited by Gerfried Stocker and Christine SchöpfNew York, Wien: Springer Verlag, 2001.

Brown, Richard. Virtual Unreality and Dynamic Form: An Exploration of Space, Time and Energy. Leonardo 33, no. 1 (April 2000).

Herzog, Hans-Michael, ed. The Body/ Le Corps. Zeitgenössische Kunst aus Kanada. Zürich: Kilchberg, 1994.

Lenders, Winfried. Virtuelle Welten als Repräsentation Zeitschrift für Semiotik 18, no. 2-3 (1996): 277-295.

Lamoureux, Johanne. French Kiss from a No Man´s Land Arts Magazine 65.6 (1991): 48-54.