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Inauguration of the dome-theater "Satosphere" in Berlin, DE
2010
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2010
Event: Inauguration of the dome-theater "Satosphere" in Berlin, DEInstitution: SAT, MontréalComment:
The Paradise Institute
2001
Could this be the future of cinema? ''The Paradise Institute,'' by Janet Cardiff and George Bures Miller, is an almost scarily captivating 13-minute multimedia experience. But the artists' mind-boggling interweaving of
IKI-IKI Phone - A Multi-user Alife Art Game for Mobile Phones
2001
Sommerer, Christa and Laurent Mignonneau and Robert Lopez-Gulliver and Mika Satomi. IKI-IKI Phone - A Multi-user Alife Art Game for Mobile Phones In Cast01 - Living in Mixed Realities Conference Proceedings, edited by Frauenhofer Institute,
Interieur
2011
Event: InterieurInstitution: Inauguration of the dome-theater “SatosphereComment:
Rambona
1992
-
1994
In "Rambona" the artist transposes the subject of "woman as object of desire" (cover girl) into an image of power. Rambo becomes Rambona. Says the artist, "Duga, a popular magazine in Serbia, came out with a cover girl dressed in a combat suit. The
Sympathetic Sentience
1995
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1996
... simple, i
den
tical electronic units...
Crossing Talks
1999
Crossing Talks is a space of non-communication. Every room made up of walls/images, people talking to other people like speaking to themselves. Only one wall at a time connect us to people far away or via the Internet. Like on a life raft, the
Cologne OFF, 2012
2012
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2013
Screening of Al GRANO : Corn Regime, 2011, split screen documentary short film (7:37 duration). Venues: -CeC - Carnival of e-Creativity Sattal, -India (22-24 Feb 2013) -ExTeresa Arte Actual, Mexico City, Mexico (18 & 19 October 2012) -Fine Art Film
Sorting Daemon
2003
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2003
Like many of Rokeby's other works, "Sorting Daemon" surveys its environment and uses the resulting images as the primary content of the work. In this specific case, the system looks out onto the street, panning, tilting and zooming, looking for
Sometimes Always/Sometimes Never
2005
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2007
Sometimes Always / Sometimes Never / Sometimes discusses the visual horizons of nomadic culture and its entropic and saturated environments. Its point of departure is that nowadays life is seen through windows and screens and each moment appears as
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