Archive Search

Boredomresearch. Faustian Bargains and Pineapple Shampoo Metamute.org/Mute (January 2007).

Ascott, Roy. Art as an Alternative to Education, or, The Rise of the Jam Factory Art (Society of Canadian Artists) 1, no. 3 (1972): 14 - 16.

Carpenter, JR. Pixelware, a sublime forgery exhibition Dazibao Gallery (January 2005).

Manovich, Lev. Soft Cinema: Navigating the Database. Cambridge, Mass.: MIT Press, 2005.

Wilson, Ian. Shakespear: Unlocking: The mysteries of the man and his work. New York: St. Martin's Griffin, 1999.

Daniela Alina Plewe. Ultima Ratio. Software und Interaktive Installation In Ars Electronica 98: Infowar: Information, Macht, Krieg, edited by Gerfried Stocker and Christine SchöpfWien, New York: Springer, 1998.

Minsky, Marvin. Die künftige Verschmelzung von Wissenschaft, Kunst und Psychologie In Ars Electronica 1990: Digitale Träume, Virtuelle Welten, edited by Gottfried Hattinger and Peter WeibelVol.2. Linz: Veritas-Verlag, 1990.

Penny, Simon and Bill Vorn. Bedlam and Other Robotic Art Projects In Subtle Technologies 03, edited by Jim Ruxton and Tania ThompsonUniversity of Toronto, Toronto: 2003.

Kac, Eduardo. Poesia Holográfica: as três dimensões do signo verbal In VII Salão Nacional de Artes Plásticas, edited by Funarte, 43-44. Museu de Arte Moderna do Rio de Janeiro: 1984.

Kac, Eduardo. Poesia Holográfica: as três dimensões do signo verbal In VII Salão Nacional de Artes Plásticas, edited by Funarte, 43-44. Museu de Arte Moderna do Rio de Janeiro: 1984.