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  • Richard Brown has a BSc in Computers & Cybernetics and an MA in Fine Art and creates interactive artworks using multi-media technology, computer programming, electronics and interfacing. Between 1995 and 2001 Richard was a Research Fellow at the
  • Berlot, Uršula. Art Between the Natural, Technological and Mental Likovne besede/Art Words. Ljubljana: Union of the Slovene Fine Artists Associations 89/90 (2009).
  • Berlot, Uršula. Idea of Nature in the Contemporary Art Likovne besede/Art Words. Ljubljana: Union of the Slovene Fine Artists Associations 61/62 (2002).
  • Suzanne Anker is a visual artist and theorist working at the intersection of art and the biological sciences. She works in a variety of mediums ranging from digital sculpture and installation to large-scale photography to plants grown by LED lights.
  • France Cadet (Artist / Robotic Teacher), born in 1971, is a French Artist whose work raises questions about various aspects in science debates: danger of possible accidents, observation of animal and human behaviour, artificialisation of life, side
  • Aleš Vaupotič. The integration of Nanotechnology Research in Fine Art: Polymorphic Impression of Uršula Berlot Likovne besede/Art Words. Ljubljana: ZDSLU 105 (2017).
  • Pregl Kobe, Tatjana. Poetike/Poetics Slovenj Gradec: Koroška galerija likovnih umetnosti/Koroška Gallery of Fine Arts (2008).
  • Susan Collins (b. 1964 London) is one of the UK's leading artists working with digital media. For the past decade the collision between the real and the artificial or virtual has been a key area of investigation. Collins works across public, gallery
  • Andrés Colubri is a researcher who is developing new methodologies to visualize and model complex biological information. He also looks to new uses of computer graphics as a medium for communication and interaction. Andrés originally studied
  • Char Davies is internationally recognized for pioneering artworks using the technologies of virtual reality. Originally a painter, she transitioned to digital media in the late-80s, becoming a founding director of the 3-D software company Softimage.