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The PHSCologram Imagery for AIDS Virus
1987
The PHSCologram depicts the first computer-generated illustration of the AIDS virus, as known in 1987 when HIV infection was causing millions of deaths around the world. The image represents a colorized CAT scan of a person called Messiah who passed
Ectoplasmic Kitchen v01
1987
Archival Digital Print, Sizes: 8”x10” and 13”x19” Epson Pigment inks on cotton rag substrate or Light Jet digital photo prints. (plus custom sizes or NFT by special order) Date created: 1987 Ectoplasmic Kitchen v1 from 1987 was Acevedo’s first
Traumliege
1987
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1987
Video sculpture [English title, Dream bed] INSTANT body, INSTANT coitus, INSTANT dreams The fast-paced images are freeze-dried, the fast-paced dreams static, the people coded, the codes interchangeable. Porn is the dream of de-sensualized sexuality,
Metalogue
1987
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1987
Archival Digital Print, Sizes: 8”x10” and 13”x19” Epson Pigment inks on cotton rag substrate or Light Jet digital photo prints. (plus custom sizes or NFT by special order) Date created: 1987 Metalogue was titled after interdisciplinary
Pedro Veneroso
Pedro Veneroso, born in 1987, lives and works in Belo Horizonte, Brazil. Bachelor of Visual Arts (EBA/UFMG), master with distinction in Literary Studies (FALE/UFMG) and PhD candidate in Arts (EBA/UFMG), the artist researches the intersections
Der freie Klang zwischen Schweigen, Geräusch und Musik
1987
Weibel, Peter. Der freie Klang zwischen Schweigen, Geräusch und Musik In Ars Electronica 1987, edited by Gottfried Hattinger and Peter Weibel, 8-17. Linz: Druck- und Verlagsanstalt Gutenberg, 1987.
Box Man
1987
Weibel, Peter and David Felder and Henry Jesionka. Box Man In Ars Electronica 1987: Der Freie Klang, edited by Karl Gerbel, 158-161. Linz: Druck- und Verlagsanstalt, 1987.
Ars Electronica 1987: Free Sound
1987
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1987
Event: Ars Electronica 1987: Free SoundInstitution: Ars Electronica Linz GmbH & Co KGComment:
LAB 1: ART+COM
1987
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1987
ART + COM—An Interdisciplinary Media Lab in West-Berlin (1987–1992) How did it all start? In the mid-1980s, few people thought that everyone would have a computer in their home. It was a rather futuristic goal to explore the computer as a tool and
Going to the Heart of the Center of The Garden of Delights
1986
video
The installation was made specifically for the neo-Gothic Vleeshal in Middelburg and consisted of a computer graphics video projection onto a large screen at the far end of the room opposite the entrance. Infra-red sensors and seven pairs of blue
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