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Digital Debris in Internet Art: A Resistance to the Epistemology of Search in Ekprhasis Vol. 10, Issue 2/2013 'Recyling Images'
2013
Nils Jean. Digital Debris in Internet Art: A Resistance to the Epistemology of Search in Ekprhasis Vol. 10, Issue 2/2013 'Recyling Images' Ekphrasis Vol. 10, no. Issue 2 (2013): 212-221.
What will come (Has already come)
2006
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2007
This installation features the debut of an important new addition to the SCMA collection, “What Will Come” (2006), a major film by the South African artist William Kentridge. One of the most innovative aspects of Kentridge’s work is his hand-drawn
The Paris-New Delhi Tunnel
1998
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1998
En septembre 1995 Les visiteurs du musée d’Art Contemporain de Montréal et ceux du Centre Georges Pompidou à Paris creusaient chacun de leur côté un tunnel virtuel à la rencontre les uns des autres. Deux ans plus tard ce premier maillon d’un tunnel
And Thats The Way It Is
2012
And That’s The Way It Is is a collaboration between the University of Texas’s public art program Landmarks and The Office for Creative Research from the spring of 2012. Drawing on transcripts from the Cronkite archives held by the Briscoe Center and
Networked interventions: debugging the electronic frontier
2002
Erickson, Christa. Networked interventions: debugging the electronic frontier In Embodied utopias: gender, social change and the modern metropolis, edited by Amy Bingaman and Lise Sanders and Rebecca Zorach, 225-241. London: Routledge, 2002.
Blur of the Otherworldly: Contemporary Art, Technology and the Paranormal
2005
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2005
Blur of the Otherworldly presents 25 contemporary artists whose work employs modern communication technologies (photography, film, video, radio, internet, computers) to explore culturally inbred questions / superstitions concerning parallel worlds
Skull v02
1994
Archival Digital Print, Sizes: 8”x10” and 13”x19” Epson Pigment inks on cotton rag substrate or Light Jet digital photo prints. (plus custom sizes or NFT by special order) Date created: 1994 The original version of this image, Skull v1 was first
Painting With Light at Tate Modern
2013
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2013
For the opening night of the #HYPERLINK festival on 26th April 2013, Alex May debuted a 75 minute ‘Painting With Light’ live video mapping art performance in the South Tank at Tate Modern, London. Using his own custom software, Alex creates scenes
VIDEOBRASILTrês décadas de vídeo, arte, encontros e transformações
2015
Farkas, Solange and Teté Martinho, ed. VIDEOBRASIL Três décadas de vídeo, arte, encontros e transformações. 2015 th ed.São Paulo, Brasil: dições Sesc São Paulo, 2015.
Made in Brazil:três décadas do vídeo brasileiro
2003
Machado, Arlindo and Walter et al. Zanini, ed. Made in Brazil:três décadas do vídeo brasileiro. ISBN 85.85291-37-0, São Paulo: Itaú Cultural, 2003.
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