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  • Giannachi, Gabriella. Virtual theatres. An Introduction. London/New York: Routledge, 2004.
  • Fisher, Scott S. and M. McGreevy and J. Humphries and Robinett, W.. Virtual Workstation: A Multimodal, Stereoscopic Display Environment In Advances in Intelligent Robotics Systems, edited by D. P. CasasentProc. SPIE 726, Cambridge, MA: 1986.
  • Cashill, Robert. Virtual World Theatre Crafts International TCI 29, no. 2 (February 1995): 44.
  • Morse, Margaret. Virtually Female: Body and Code In Processed Lives: Gender and Technology in Everyday Life, edited by Jennifer Terry and Melodie CalvertNew York: Routledge Champman and Hall, 1997.
  • Virtuelle Mauer/ReConstructing the Wall is a virtual reality (VR) artwork, an interactive 3D computer graphic installation that enables users to experience a section of the Berlin Wall in its former complexity. A digital reconstruction of a
  • Weibel, Peter. Virtuelle Realität oder der Endo-Zugang zur Elektronik In Cyberspace. Zum medialen Gesamtkunstwerk, edited by Florian Rötzer and Peter Weibel, 15-46. München, DE: Boer Verlag, 1993.
  • Rheingold, Howard. Virtuelle Welten: Reisen im Cyberspace. Reinbek, DE: Rowohlt Verlag, 1991.
  • Fleischmann, Monika and Christian Bohn and Wolfgang Strauss. Visiones liquidas, el espejo virtual de Narciso In Contaminaciones: del videoarte al multimedia, edited by Jorge La FerlaBuenos Aires: Libros del Rojas, 1997.
  • en los últimos años. Twenty-six Visions of Hildegarde. 30" by 22", 2000. Algorithmic pen and ink drawing on paper with 4 gold leafed medallions. (Original algorithmic procedures date from the early 1990's.) Los dibujos de la familia
  • Elkins, James. Visual Studies: A Skeptical Introduction. New York: Routledge, 2003.