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  • Composition on the Table (1998/99) is comprised of four white tables bearing physical interface components: switches, dials, and turntables. Computer graphics images are projected onto the tables from ceiling-mounted video projectors, and
  • SphèrAléas Tridimensional interactive / sound / image installation SphèrAléas is made of a half-spherical structure and of an evolutionary device wich makes man, image and sound interact thanks to digital tools. SphèrAléas is ideal for collective
  • Matières sensibles (Sensitive matters) is a serie of sculptures made of very thin and delicate wood veneer sheets. Here the artists use ash wood. These sheets of wood have distinct sonorous touch zones that follow the natural veins of wood. The
  • Urban Lights contactsArtist: Gregory Lasserre & Anais met den Ancxt - ScenocosmeComment:
  • Scenocosme (Grégory Lasserre & Anaïs met den Ancxt) in collaboration with Lola and Yukao Meet (Lola Ajima & Yukao Nagemi) La maison sensible is an interactive installation that augments the physical space and the relationship between an onlooker
  • Scenocosme : Grégory Lasserre & Anaïs met den Ancxt. Hybrid & Sensory Interactive Artworks. _: Scenocosme : Grégory Lasserre & Anaïs met den Ancxt, 2014.
  • Mit der Präsentation neuer Arbeiten – Zeichnungen, Drucke, Stereoskopien und einer 8-minütigen filmischen Anamorphose – schließt William Kentridge sein Engagement als erster Inhaber der Max-Beckmann-Stiftungsprofessur in Frankfurt ab. Kentridges
  • “Kryophone“ is a sonorous and luminous interactive sculpture made of ice. This interactive sculpture is composed with ice and reacts to the electrostatic touch of bodies. Sounds and light evolve according to the intensity of electrostatic contact.
  • Lasserre, Grégory and Anaïs Met den Ancxt. Les arts interactifs: une relation augmentée L'observatoire , no. 38 (2011): 20-21.
  • Lasserre, Grégory and Anaïs met den Ancxt. Scenocosme/Interactive Performances The Visual ARTBEAT , no. 8 (January-April 2012): 58-61.