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Ciberestética e a engenharia dos sentidos na Software Art.
2008
DOMINGUES, DIANA MARIA G. Ciberestética e a engenharia dos sentidos na Software Art. In Estéticas Tecnológicas: Novos modos de sentir, edited by Lucia SANTAELLA and Priscila ArantesSão Paulo: Educ, 2008.
Conversations - expanded images 2
2020
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2020
Conversations TIDD PUC SP Agosto 2020 Diana Domingues e Lucia Santaella
Adriano Abbado
Adriano Abbado has always been interested in non-verbal communication. In 1972 he made his first experiments with photography and environmental sounds. In 1977 he graduated in Electronic Music Composition at the Conservatory of Milan. In 1981 he
Arte do Corpo Biocibrido em sistemas enativos-afetivos
2020
Lucia Santaella and E MOTTA and DIANA MARIA G DOMINGUES and C. TURELLY. Arte do Corpo Biocibrido em sistemas enativos-afetivos In Dança sob o signo do Multiplo, edited by Lucia SANTAELLA and Everson MOTTA Vol.1. , 41-65. São Paulo: Estação das
Arte do Corpo Biocibrido em sistemas enativos-afetivos E-Book
2020
Lucia Santaella and E MOTTA and C TURELLY and DIANA MARIA G DOMINGUES. Arte do Corpo Biocibrido em sistemas enativos-afetivos E-Book In Arte do Corpo Biocibrido em sistemas enativos-afetivos E-Book, edited by Lucia SANTAELLA and Everson MOTTA ,
Group Exhibition of Peripheral Response in Despertar/Éveil/Alive
2014
Event: Group Exhibition of Peripheral Response in Despertar/Éveil/AliveInstitution: SESC SANTANAComment:
Ars & Machina. Electrografía Artística en la colección MIDE
2004
ALCALÁ MELLADO, José Ramón. Ars & Machina. Electrografía Artística en la colección MIDE. Santander: Fundación Marcelino Botín, 2004.
Muntadas. Espacios, lugares y situaciones
2008
Philips, Christopher and Adrian Searle and Antoni Mercader. Muntadas. Espacios, lugares y situaciones. Santander, Spain: Fundación Marcelino Botín, 2008.
hiper
2004
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2004
Event: hiperInstitution: Santander CulturalComment:
Pier Giorgio De Pinto
The work of the Italian artist Pier Giorgio De Pinto thrives on the relationship between representation and concept in a constantly and suddenly changing image-based society in search of a new identity. Since the sixties, recent changes have been
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