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Nanocities
2006
-
2008
Title. "Nanocities": 2006-8. Digital generative artwork by
Sta
nza. "Nanocities" creates painting
s a
ctioned by the interpretation of the code.
Sma
ll
sca
le event
s a
nd objects have affect within systems. These code structures create patterns on the
GWEI Google Will Eat Itself
2005
-
2005
GWEI - Google Will Eat Itself by UBERMORGEN.COM feat. Ale
ssa
ndro Ludovico vs. Paolo Cirio Net.Art, digital Actionism / Media Hacking, mixed Media, 2005 We generate money by serving Google text advertisments on our Websites. With this
Corpocinema
1967
-
1967
The Corpocinema ('corporeal cinema') wa
s a
n expanded cinema environment presented in a series of open-air performances in Rotterdam and Amsterdam in 1967. The basic structure wa
s a
large air-inflated tran
spa
rent PVC dome onto which film
Amy Youngs
Amy M. Youngs creates biological art, interactive sculptures, and digital media works that explore interdependencies between technology, plant
s a
nd animals. Her practice-based re
sea
rch involves entanglements with the non-human, constructing
The virtual thematic route Emil Benčić : from experience to infinityhttps://i
sea
2016.scm.cityu.edu.hk/openconf/modules/request.php?module=oc_program&action=view.php&id=265&type=4&a=
20
Lavo
sla
va Benčić. The virtual thematic route Emil Benčić : from experience to infinity https://i
sea
2016.scm.cityu.edu.hk/openconf/modules/request.php?module=oc_program&action=view.php&id=265&type=4&a= I
SEA
International. (20): 20-26.
Medi@terra 1999
1999
-
1999
Pendulum Symposium Mediterranean and Balkan Art & Technology Festival MEDIA = The image of the world, an image elaborated according to the circum
sta
nces. The high point of 21st-century culture. The face of modern technology, the homo communicus of
Televirtual Chit Chat
1993
video
During Imagina '93 computer graphics in
sta
llations in Monte Carlo and in Karlsruhe were connected by modem through a conventional telephone line. Facing large video screens, the two di
sta
nt players each
sha
red the same virtual image
spa
ce.
The Adding Machine
1995
-
1995
Live Theatre Meets Virtual Reality On April 18, 1995 the University Theatre of the University of Kansas brought live theatre to cyber
spa
ce through the use of "virtual reality" in a fully mounted theatrical production. Audiences were invited
Pride of our young nation
1990
-
1991
Pride of our young nation i
s a
meditation on machines of war and the psychology which motivates their construction. Its material construction echoes the archetype of a piece of field artillery, unchanged since the napoleonic era, while its control
In Conversation
1997
-
1997
In November 1997, on Duke Street in Brighton, passers-by encountered an animated mouth projected onto the pavement. Through loudspeakers they could also hear a voice trying to strike up a conversation (the voice was made up of text to speech
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