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  • William Latham's Computer Artworks In 1990 Mark Ayres was commissioned by artist William Latham (then Visiting Fellow at the IBM UK Scientific Centre) to compose a score for his Computer Art film The Evolution of Form. The result was highly
  • After studies of Philosophy and esthetic theory in Frankfurt und Paris (1988-1992) a short intermezzo followed as scientific assistant at Museum für Moderne Kunst in Frankfurt am Main. 1992 starting artistic practice with the projekt "Human
  • Brand, Steward. The Media Lab: Inventig the Future at M.I.T.. London: Penguin Press, 1988.
  • Weibel, Peter and Valie Export. Stimmen aus dem Innenraum In Ars Electronica 1988: Kunst der Szene, edited by Gottfried Hattinger and Peter Weibel, 135-148. Linz: Gutenberg-Werbering, 1988.
  • Couchot, Edmond. Images. De l´optique au numerique. Paris: Hermes, 1988.
  • Penny, Simon. Moores Law, Systems Theory and the Aesthetics of Interactive Art Astrolabe Online Journal (1988).
  • Warren Neidich is a Berlin and Los Angeles based post-conceptual artist, theorist and writer who explores the interfaces between cultural production, brain research and cognitive capitalism. “Art Before Philosophy not After”. His interdisciplinary
  • Thompson, Jack George. The Psychobiology of Emotions. Wien, New York: Springer, 1988.
  • Pomeroy, Jim and Tim Druckrey and Marnie Gillett, ed. Digital Photography: Captured Images, Volatile Memory, New Montage. : Cameraworks Gallery, 1988.
  • Moravec, Hans. Mind Children: The Future of Robot and Human Intelligence. Cambridge, MA: Harvard University Press, 1988.