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  • The Plural Image
    Barbosa, Ana Mae. The Plural Image In Connection: an optical life electronics for images, edited by DIANA MARIA G DOMINGUESMuseu de arte Contemporânea – MAC/USP: 1990.
  • Ecloud WWI
    ECLOUD WWI is an interactive spatial browser for the exploration of cultural data collected in the Europeana 1914–1918 archive. Presented in 3-D on a custom-designed 9 m by 3 m projection screen, the installation contains more than 40,000 images of
  • A New Life -
    Digital video 4 mins 8 secs colour, stereo sound by Jon Rose A NEW LIFE is a digitally produced video tape loosely based around Dante's first novel The New Life. In addition it draws upon a number of works by the early Renaissance Italian
  • Great Wall of China -
    The Great Wall of China is conceived for simultaneous realisation across media, including a Website (1995-96), a CD-ROM with portfolio of prints (1997-99) and an interactive installation (1999). The foundation of The Great Wall of China is a
  • Homographies -
    Homographies is a large-scale interactive installation featuring a turbulent light array that responds to the movement of the public. The installation consists of 144 white fluorescent light tubes which are hung from 72 robotic fixtures on the
  • Martin Kusch
    Martin Kusch is particularly interested in the influence of digital technologies on our way of thinking and on our perception of the body and space. Following his studies in art history, philosophy, and painting in Berlin and in media art with Peter
  • Digital Synesthesia at ISEA 2016 22nd International Symposium on Electronic Art -
    In the frame of ISEA 2016 in Hong Kong the DIGITAL SYNESTHESIA exhibition presents 14 artworks by DIGITAL SYNESTHESIA artists Anke Eckardt, Karl Heinz Jeron, kondition pluriel (Martin Kusch / Marie-Claude Poulin), Alan Kwan, Karen Lancel / Hermen
  • Swarming Lounge video
    Mixed-reality installation with live and virtual performers, encountered via the smartphones of the visitors. Real and virtual situations come together, and micro-narratives emerge, based on shifting degrees of presence, traces of daily gestures and
  • Diver video
    Interactive installation exploring the potential of single-user virtual reality. Rearrangement of multiple subjective camera views captured from the body of an Olympic diver. VR head-mounted display transmitting simultaneous viewpoints and
  • Future Room video
    Fulldome participatory installation as a metaphor for a prediction machine. Virtual space of knowledge where visitors trigger, via a voice recognition system, one of the twelve clouds of information on the future of work, education, democracy...
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