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Spaces of Generativity: An Introduction to the Art of Wojciech Bruszewski
2012
Kluszczyński, Ryszard W.. Spaces of Generativity: An Introduction to the Art of Wojciech Bruszewski Art Inquiry XIV (2012): 71-80.
Two Origins, Relational Architecture 7
2002
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2002
"Two Origins" transforms the emblematic Place du Capitole by projecting the heretic "Book of Two Origins", a 13th century manuscript compiling the core theological beliefs of the dualist Cathars. Once a vibrant community in Toulouse, believers in
Jack Ox
Jack Ox is a media artist working on visualisation of music for more than 25 years. She is Professor at The University of New Mexico and Co-director of SARC (Science Art Research Collaboration). She had been in the editorial board of Leonardo since
Towards Extended Performance - Reconsidering the Concept of a Multi -User Environment
1998
Strauss, Wolfgang and Monika Fleischmann and J. Novak and Thomsen, M.R.. Towards Extended Performance - Reconsidering the Concept of a Multi -User Environment In Proceedings of the Esprit 13 Project ERENA, Brussels: 1998.
Cimatics, Brussels International Festival for Live Audiovisual Art & VJing
2003
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2009
Cimatics\AV\Platform is an organisation that focuses on audio-visual performances, with the emphasis on those that have grown out of VJ culture and cyber culture. Most of the projects revolve around the interaction (live or otherwise) between sound
In the Land of Babari-An
2006
video
Live dance performance with realtime interactive 3D virtual world as stage set. The dance performance "In the Land of Babari-an" is an inner journey in which the dancers, Shinichi Iova-Koga and Ishide Takuya, incorporate their own East/West
Gallery of Heroic Women
2018
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2019
This series of fictitious portraits deals with fighting and hunting movie heroines and refers to the baroque concept of the ‚Gallery of Heroic Women‘ (book by Pierre Le Moine with illustrations, painting series by Guy François, and others, 16th-17th
Winning Hearts and Minds
2012
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2012
War zones are as instructive as they are destructive. Since Vietnam, they have beautifully illustrated the contradiction between capitalism and democracy. They teach the lesson that (false) democracy is an alibi for the good intentions of capitalist
William Kentridge
1999
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1999
The ensemble, this catalogue and the exhibition document the rich production of work by William Kentridge (Johannesburg, 1955), and especially show that each one of his activities are a way of returning to the act of drawing, an act the artist has
No More War, Please. We´ve had enough
2022
Gomes, E.. No More War, Please. We´ve had enough brutjournal New York (July 2022).
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