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dog[lab]01
2004
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2004
In this experimental space, seven little chimerical robots are evolving, some animals which have the general morphology of a dog but some have bovine coats provided with horns (mad cow disease?), pork skin (xenotransplantation? unless it’s a cross
Listening to trees across the jordan river
2019
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2020
The exhibition at the Negev Museum of Art is part of an international project, which originated in 2012 under the title of EDEN (Ethics, Durability, Ecology, Nature). The project is based on the idea of continuing the restoration of the enchanted
Gabriela Aceves Sepúlveda
Dr. Gabriela Aceves Sepúlveda is an interdisciplinary media artist and cultural historian with a research focus in Latin American media art history. She is Associate Professor in the School of Interactive Arts and Technology at Simon Fraser
SO3, Art, Biologie et (Al)Chimie
2015
Event: SO3, Art, Biologie et (Al)ChimieInstitution: Espace Multimedia GantnerComment:
Cinematic Air Pollution Device
1967
This proposed expanded cinema installation was an outdoor projection screen on which projected 35mm movies would materialize in smoke and steam. Mounted high on a steel frame, the approximately 6 m x 4 m screen was a shallow box construction with
Profilneurose
2004
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2004
'A profile like a witch' – I often thought when looking in the mirror, or when my shadow flits past me. Cosmetic surgery promises a remedy. But does that make us happier, better, more beautiful, more lovable? First the nose, then the chin, a bit
Hervé Fischer
Artist-philosopher, Hervé Fischer graduated from the école Normale Supérieure (rue d'Ulm, Paris). For many years he taught sociology of communication and culture at the Sorbonne. He obtained its MBA in philosophy and PhD. in sociology. A multi-media
Magic Eye – Dissolving Borders. A communication project by Sommerer & Mignonneau
2010
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2010
2010 MNBA National Museum of Fine Arts “Magic Eye – Dissolving Borders” a communication project by Sommerer & Mignonneau from September 7th 2010 curator: Esperanza Rapport Supported by the Ministry of Foreign Affairs of Austria on the occasion of
Julieta Agriano
(Buenos Aires, 1981) Works as an independent curator and cultural practitioner specialized in the digital and electronic scene. Her actual curatorial research is based on the development of Semiotopías, a neologism and curatorial saga she created as
A Sense of Place
1998
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1998
An out-of-focus "still-life" image of a window display is projected on a full screen gallery wall. As the audience moves in the gallery space, items from the inventory of objects in the image come into focus depending on the audience's relative
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