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The Magic Flute
2007
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2007
On view will be fifty working drawings and fragments used in the creation of the scenic design and animation for The Magic Flute, the Mozart opera given brilliant interpretation by William Kentridge in a long-awaited production this past spring
Raquel Caerols Mateo
Scholar: Raquel Caerols Mateo
Science + Fiction
2003
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4
Event: Science + FictionInstitution: CAESAR - Center of advanced european studies and researchComment:
CAESAR - Center of advanced european studies and research
Inter Caetera Divina
1992
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1992
Throughout the 5-day show, the robot arm drew world maps taken from the time of Columbus up through World War II. The title refers to the 1493 proclamation by Pope Alexander VI that divided the New World between Spain and Portugal.
Inertia
2011
Inertia, 2010-11 | Music Henry Vega | Dance Géraldine Fournier | [Materials] Projectors, Computers, Media Player. Dimensions: 5m x 5m x 2.0m Utilizing the cut-up technique, a methodology commonly associated with the aleatory literary technique in
Brandhorst
Sky
1985
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1985
Sky is a collection of conceptual pieces to transform nuclear weapons into works of art. (Iris-Project) (source: http://www.quadrantcrossing.org/papers/CAE_catalogue_MTL.pdf#search=%22george%20gessert%20iris%22)
Ellen Pearlman
Ellen Pearlman is a New York based media artist, curator, writer and critic. She is a Research Fellow at MIT, Senior Research Assistant Professor at RISEBA University in Riga, Latvia and a Contributing Editor to Performance Arts Journal (PAJ) MIT
Matter Doesn’t Matter
2018
Event: Matter Doesn’t MatterInstitution: Urban Media Art Academy, Media Architecture Biennale, CAFA, Central Academy of Fine Arts, BeijingComment:
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