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  • ... of departure the recent citizen spying scandal emanating...
  • DOMINGUES, DIANA MARIA G. Mashup art e crawler art: o sublime tecnológico do lixo remixado In Digital Trash: Linguagens, Comportamentos, Entretenimento e Consumo, edited by Vinicius Andrade PereiraVol.1. , 152-169. Rio de Janeiro: E- Papers, 2009.
  • Beddard, Honor and Douglas Dodds. V and A Pattern: Digital Pioneers. London: V and A Publishing, 2009.
  • The human cell is still a mystery to us in many ways. We cannot see it with the naked eye, only with the help of powerful microscopes. This Virtual Reality presents an imaginary inside of a human eukaryotic cell, enlarged about 300.000 times to
  • Kluszczyński, Ryszard W.. Theoretical, Philosophical and Cultural Contexts of Interactive Art In Interactive Media Arts, edited by Antoni Porczak, 7-53. Kraków: Academy of Fine Arts, 2009.
  • Herzing, Ruth; Holzwig; Matzner (Hrsg.). AkademieGalerie 2004 - 2008. 1st edition th ed.München: Akademie d. Bildenden Künste München, 2009.
  • "Reference Flow," 2009 1 or 5 Neon Exit Signs, motors, computerized surveillance tracking system, slip rings, custom software dimensions variable edition of 6, 1 AP "Reference Flow" is an interactive installation where a number of illuminated
  • Neidich, Warren. Lost between the Extensivity / Intensivity Exchange. Eindhoven: Onomatopee, 2009.
  • Dietz Steve, ed. Superlight : Global Festival of Art on the Edge. Cleveland, USA,: MOCA, 2009.
  • The founding members of rAndom International: Hannes Koch (b. 1975, Germany), Florian Ortkrass (b. 1975, Germany) and Stuart Wood (b. 1980, UK), met while at Brunel University in 2002 and went on to study together at the Royal College of Art,