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Navigating and Negotiating Sound Architectures of the Night 2016 - 2016

On May 17, 2016, in EMPAC’s Goodman Studio, an evocative multi-media black box theatre work was presented that engaged the poetics of night. Ninety-two abstract architectural models interact on a luminous glass-surfaced interface-table to produce a
DOCUMENTING MEDIA ART:Towards a social WEB 2.0-Archive for MediaArtHistoriesand an integrative Bridging Thesaurus 2016

... KunsthistorikerInnen 18 (2016).
Walking and health: an enactive affective system. 2016

... affective system. Digital Creativit 27 (2016): 314-333.
Selcuk Artut

Selçuk ARTUT’s artistic research and production focus on the theoretical and practical dimensions of human-technology relations. Artut’s artworks have been exhibited at Sonar Istanbul, ISEA, AKM Istanbul, Siggraph, Dystopie Sound Art Festival
Electronic Literature as a Model of Creativity and Innovation in Practice : A Report from the HERA Joint Research Project 2016

Rettberg, Scott and Sandy Baldwin, ed. Electronic Literature as a Model of Creativity and Innovation in Practice : A Report from the HERA Joint Research Project. Bergen: ELMCIP, 2016.
Elevate
JUST DIG/IT! 2016

... footage has since then become a living piece of collective memory. Beside the living memory... and 1997 tunnels, Colors/Border Tunnels (2016) introduces the visitor to the process of...
Daniel Riha

Since 2004 - Curriculum designer and senior lecturer for Interactive Media and Creative Arts modules at Department of Art Theory and Practice, Charles University, Prague, Czech Republic. 2008-2016: Cyber Hub Leader at Inter-Disciplinary.Net, Oxford,
ENERGIE WECHSEL –an artist in residence project curated by Dr. Uwe Rüth at the IK Foundation Flushing. 2016

Dr. Uwe Rüth. ENERGIE WECHSEL –an artist in residence project curated by Dr. Uwe Rüth at the IK Foundation Flushing.. Flushing (NL): IK Foundation, 2016.
ABSTRACT SHOTS 2018

The ABSTRACT SHOTS are some of the outcomes of the BRAIN FACTORY that gave the exhibition spectators in Paris, Seoul, Brisbane and Hong Kong the possibility to become “brain-workers”. Using no hands and no words, they gave a shape to human

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