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Crack it ! 2000

connective force attack: open way to public How to crack it!' was the information and encouragement the computer magazine PC Online offered to readers in issue 10/2000, followed by precise instructions on how to take part in the boldly
Poetrica 2003 - 2004

Poetrica is an investigation about reading and reception in entropic and cybrid situations and a practice of appropriation of the advertisement system as public space. It was launched at Galeria Vermelho, in São Paulo, 2003, and closed in
Entrepreneurs, squatters and low-tech artisans: DIYbio and Hackerspace models of citizen science between EU, Asia and USA 2011

Kera Denisa. Entrepreneurs, squatters and low-tech artisans: DIYbio and Hackerspace models of citizen science between EU, Asia and USA ISEA2011 Istanbul (September 2011).
El lienzo es la pantalla 2007 - 2007

Pieter-Rim de Kroon, Julien Devaux, Jean-Charles Fitoussi, Jean-Luc Godard, Ellen Harvey, Takehito Koganezawa, Malcolm Le Grice, Marcello Mercado, Anne-Marie Miéville, Vincent Monnikendam, Jacco Olivier, Jos Stelling, Straub/Huillet »
Innovation regimes based on collaborative and globaltinkering: Synthetic biology and nanotechnology in thehackerspaces 2013

Kera Denisa. Innovation regimes based on collaborative and global tinkering: Synthetic biology and nanotechnology in the hackerspaces Elsevier- Technology in Society (2013): 10.
Hackerspaces and DIYbio in Asia: connecting science and community with open data, kits and protocols 2012

Kera Denisa. Hackerspaces and DIYbio in Asia: connecting science and community with open data, kits and protocols Journal of Peer Production (June 2012): 8.
NanoSmano Lab in Ljubljana: disruptive prototypes and experimental governance of nanotechnologies in the hackerspaces 2012

Kera Denisa. NanoSmano Lab in Ljubljana: disruptive prototypes and experimental governance of nanotechnologies in the hackerspaces Journal of Science Communication (December 2012): 5.
Google Art or How to Hack Google, Rhizome and New Museum 2007

n an information-based age, the ability to search and organize information amounts to power. Search engines shape knowledge, modulate web traffic, and contribute to the creation of new semantics and meanings. Currently, Google's influence is
ISEA2015-DISRUPTIONS 2015 - 2015

21st International Symposium on Electronic Art, august 14th - 19th, 2015. ISEA2015’s theme of DISRUPTION invites a conversation about the aesthetics of change, renewal, and game-changing paradigms. We look to raw bursts of energy, reconciliation,
Ways of Worldmaking 1978

Goodman, Nelson. Ways of Worldmaking. Cambridge, MASS: Hackett Publishing, 1978.

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