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Scénographie interactive
2007
Event: Scénographie interactiveInstitution: École des Beaux ArtsComment:
Multimédia et scénographie
2005
Event: Multimédia et scénographieInstitution: round table, SITEMComment:
De l'art de la situation à la scénographie organique
2002
Event: De l'art de la situation à la scénographie organiqueInstitution: Colloque Poliéri, Bibliothèque Nationale de FranceComment:
Memory Theatre VR
1997
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1997
video
Memory Theater VR is an example of a virtual museum that embodies original architectural, interface and visualization strategies that converge the experience of real and virtual formations. The installation itself is set inside a cylindrical space,
LAb[au]
LAb|au| developed a transdisciplinary and collaborative approach based on different artistic, scientific and theoretic methods, examining the transformation of architecture and spatio-temporal structures in accordance to the technological progress
Lawrence Malstaf
The work of Lawrence Malstaf can be situated on the borderline between the visual and the theatrical. After having studied industrial design, Lawrence Malstaf starts of in theatre. He designs scenographies for choreographers and directors as Benoît
Pneu-Written
1969
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1969
Elements of the MovieMovie (1966) were merged with a performance scenography made by John Lantham.
MovieMovie
1967
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1967
video
This expanded cinema performance was specially created for the Experimental Film Festival in Knokke-le-Zoute. It took place in the foyer of the festival building, with the audience sitting on the stairs and balcony. Three performers (Jeffrey Shaw,
Points of View III - A Three-Dimensional Story
1984
Points of View III - A Three Dimensional Story explored the notion of an open artwork by inviting sixteen people to make narrative contributions which were then interactively linked to the visual scenography so that the viewer could navigate between
Paula Strunden
Paula Strunden studied architecture in Vienna, Paris and London and worked at Raumlabor Berlin and Herzog & de Meuron Basel. Currently she pursues her design-led PhD within the European network TACK at the Academy of Fine Arts Vienna. Her work
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