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  • Ursula Damm studied at the Art Academy in Düsseldorf, followed by postgraduate studies at the Academy of Media arts in Cologne. Early sculptures were models of space and time, developed in a bodily experience. In the 1990s installations were
  • Schäfer, Jörgen and Peter Gendolla, ed. Beyond the Screen: Transformations of literary structures, Interfaces and Genres. Bielefeld: Transcript, 2010.
  • Videotape [English title, The dancing and the dead] If YOU, yes YOU, the one I'm addressing, have already photographed corpses and the pried-open skull, that is even now beautiful picturedance of the corpseshots (the camera is moved) a dancer
  • Pierre Jolivet originally from Paris, is an artist who's currently based in Dublin, Ireland. Pierre started in the early eighties, as a French pioneer under the moniker of Pacific 231, in the industrial and power electronics musical fields before
  • RECORD > AGAIN! Part 2 18.07.2009 – 06.09.2009, ZKM | Media Museum, Project Room Description »RECORD > AGAIN! - 40yearsvideoart.de - Part 2« concentrates on early German video art and shows numerous discoveries, which, for the most part, have no
  • With her installation "Über allen Wipfeln ist Ruh", Claudia Robles created a space of silence and contemplation, in order to make - in return - the extreme noise pollution almost painfully tangible: The Goethe-Institut Bogotá is located on one of
  • 40JAHREVIDEOKUNST.DE Teil 2 Joseph Beuys, Wolf Kahlen, Ulrike Rosenbach, Holger Czukay, Anna Oppermann, Klaus vom Bruch, Walter Schröder-Limmer, Bazon Brocks, Gerry Schum, Jörg Herold, Michael Morgner, Lutz Dammbeck, Ulrich Rückriem, Klaus Rinke,
  • Ray, Tom. Netlife - das Schaffen eines Dschungels im Internet In Stadt am Netz, Ansichten von Telepolis, edited by Stefan Iglhaut and Armin Medosch and Florian Rötzer, 118-126. Berlin: Bollmann Verlag, 1996.
  • Fleischmann, Monika and Wolfgang Strauss and Christian Bohn. Liquid Views In Deep Storage, edited by Ingrid Schaffner and Matthias et.al. WinzenMünchen, London, New York: Prestel, 1998.
  • „Die einzige Konstante – ist die Transformation“ ADA – ARTISTIC DYNAMIC ASSOCIATION ada is … Der Raum ist kein unbeschriebenes Blatt, er besitzt eingeschriebene Geschichte. Kein redundanter White Cube, eine Art Kunst-Club, ein Wohnzimmer im Draußen,