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  • The Diamond Lake Apocalypse. Pathway
    11. Diamond Lake Apocalypse, Pathway, 1993 22" by 30" Pen plotted drawing. 12. Diamond Lake Apocalypse, Burning Bush, 2000 23" by 29" Pen plotted drawing. 13. Diamond Lake Apocalypse, Canon I, 1999 23" by 29" Pen plotted drawing.
  • Another Time, Another Space -
    Another Time, Another Space (1993) is an interactive installation devised for Antwerp Central Station, Belgium. The installation used 15 video cameras to capture live images of visitors to the station; 30 computers manipulated the video feeds output
  • Responsive Workbench - video
    RESPONSIVE WORKBENCH : THINKING BY HAND 1993 The Responsive Workbench is an evolution of the interactive table interface in Berlin-Cyber City, which inspired physicist Wolfgang Krüger's Responsive Workbench idea. The first prototype was created in
  • Telepresent Onlookers video
    The Telepresent Onlookers utilizes the EVE (1993) visualization system. In the centre of a large inflatable dome, two video projectors are mounted on a motorised pan/tilt device which can move the projected image anywhere over the inside surface of
  • Voyage Virtuel
    1993 Espace Kronenburg, Paris: »Voyages Virtuel«
  • Designing Embodied Interaction: Aesthetic, Technical and Theoretical Issues
    Over more than two decades, Simon Penny has pursued the simultaneous development of Interactive Artworks and the design and construction of technologies for Embodied Interaction, utilising Machine Vision and Robotics technologies. This has involved
  • Paravent -
    Video sculpture In co-production with Gudrun Bielz The 'Paravent' functions as a projection screen, displaying a video of a car wash routine captured from the inside of a car. The 'Paravent' shifts its normal function as a private object and becomes
  • PEY-CHWEN_INTERVIEW_160822.pdf
    ADA Artist Interview with Lin Pey ChwenArchive of Digital ArtText & Interview by Alejandro Quiñoneshttps://www.digitalartarchive.at/features/featured-artists/featured-artist-lin-pey-chwenWhat are your current projects?I will continue working
  • Paul Friedlander
    In 1993, I was asked to do my first large commission for British Telecom at their HQ in the City of London. I was also invited to exhibit at Images du Futur in Montreal, where despite being a previously unknown, I was given the largest single
  • Notes on Artificial Games
    Seaman, Bill. Notes on Artificial Games In Visual Proceedings - Computer Graphics Siggraph ´93, Anaheim: 1993.
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