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developed for The View Contemporary Art Space Swizerland EXCAVATE consists of a magic lantern from the 1920ies that was transformed into an interactive installation. The project was developed for a military shelter from the cold war in the area of

"We Are Stardust" is a commissioned artwork by the Williamson Gallery at the Art Center College of Design, and the NASA Spitzer Science Center at the California Institute of Technology in Pasadena. The focus of the project is the Spitzer Space

"Mutatis mutandis" is an interactive computerised installation. It’s hypermedia project realised from digitalized video images and sounds. It addresses issues concerning poetry and philosophy, and explores the language of interact ivity in the

Stanza. Title. The Last Supper And The City of Bits. Continuing the search for the Soul of the City. Stanza presented this artwork below and gave an artists talk as part of the Folly Digital Lunch series. Twelve guests were invited to this

Computer generated large scale ink plots Indian Ink on Fabiano 300 gsm paper These works were produced using a large scale Interact IV flat bed plotter. A set of abstract images, each measuring 200 x 200 cms. The works were produced by

Description of Soundcities project. This interactive website called soundcities.com allows the audience as creative user the possibility to remix the hundreds of samples recorded from around the world and then save their own mix. Soundcities is

Sonicity by Stanza Sonicity is a responsive installation, a sonification of the data space. The sounds you hear are the sound of the changing environment, ie the changes of noise, light, temperature of the space is turned into a real time sound

Sensity is part of "The Emergent City" series of works by Stanza. Artworks monitoring the real time interactive city using wireless sensors. If you are interested in exhibiting this artwork get in touch. I am available to visit your city to take

A world premier of Stanza’s “Robotica: Control inside the panopticon” at The Victoria And Albert Museum, London. A playful robot installation - with performative and interactive aspects - that questions ideas of surveillance and tracking in popular

CD-ROM with book version published by Ellipsis, London copyright 1994 exhibited at Portsmouth Arts Centre, Portsmouth, UK, 1998 Surfing, Contemporary Art Centre, Plymouth, UK 1997 European Media Art Festival, Osnabruck, Germany, 1997 On